Hollywood Attractions, Distractions, and Tourist Crime

hollywood attractions distractions tourist crime

What do thiefhunters on vacation do to unwind from workdays detecting and preventing crimes against world travelers? We grab a cocktail, and hobnob with the stars! Here’s what happens when Bob Arno and I attempt to get away for a day of fun-n-frolic in Tinsel Town, with our California colleague Dave “Wiggy” Wiggins. (Hint: simply flipping off the workaday switch is not that easy.)

hollywood attractions distractions tourist crime
The legendary Walk of Fame in Hollywood, California!
hollywood attractions distractions tourist crime
Tourist crowds cover the cement handprints in front of the famous Chinese Theater

The costume-clad and the snake-draped, the card-trickers and drum-beaters, the picture-posers and the star-counterfeiters, all are there to grab a tourist buck or two.

While enjoying the summer season in “The Golden Orange,” Bob and I met up with our colleague Dave Wiggins for a day of sight-seeing in Hollywood. Bob was just coming off his latest star turn on a Steve Harvey show, so Hollywood is nothing new. But rarely do we have the time to be simply tourists on the legendary Hollywood Walk of Fame.

Dave Wiggins, tourism safety specialist

Our companion this day is well-known in California (and Hollywood in particular) as one of the world’s leading experts on crimes against tourists and best practices in visitor venue safety and security. Dave Wiggins is a 27-year veteran (retired) of California law enforcement, with deep expertise in preventing, investigating, and prosecuting tourism related crime. He helped develop a variety of different tourism security and service programs which came to be viewed as national role models.

For years “Wiggy” organized the nation’s largest conference on tourism safety and security matters. Today, he leads the first ever professional association dedicated to advancing the cause of better protecting travelers. As president of the California Tourism Safety & Security Association, he continues to conduct security assessments and training programs for tourism businesses, as well as security and law enforcement teams. He has been accredited by the American Hotel & Lodging Association as a Certified Lodging Security Director (CLSD), and is an expert in hospitality security as well.

As a former security director in Hollywood, Wiggy knows the streets of Tinsel Town better than most. When we meet up in front of the famed Dolby Theater (home to the Academy Awards) the order of the day is simply socializing. Strolling over sidewalk stars and cement foot prints, followed by cocktails at Hollywood & Highland.

hollywood attractions distractions tourist crime
A rare glimpse of the usually crowd-covered stars on Hollywood’s Walk of Fame.
hollywood attractions distractions tourist crime
Celebrity handprints and footprints in front of the Chinese Theater on Hollywood Boulevard.

I doesn’t take long for Plan A to devolve into a Walk of Fame version of thiefhunting.

Never the shy one, Wiggy strips off his professional clothing right in the busy parking garage. Slacks, buttoned down shirt, and Maui Jim sunglasses are quickly replaced with cheap shades, tacky shorts, and a Hollywood souvenir t-shirt. The transformation is swift and amazing. Wiggy now looks like he just stepped off the bus from Topeka.

Hollywood Walk of Fame

On Hollywood Boulevard, we’re swept up in a swirling sidewalk sea of humanity which rivals New York’s Times Square or the Las Vegas Strip. Millions of visitors every year come to see such landmarks as the Pantages Theater, Madam Tussaud’s Wax Museum, the Chinese Theater, Ripley’s Believe It Or Not, the El Capitan Theater, Fredericks of Hollywood, the Magic Castle, Hollywood Bowl, Capital Records building, Jimmy Kimmel’s television studio, and the famous home of the Oscars.

But what causes these same visitors to trip over their own feet are the cement stars planted into the glimmering sidewalks of Hollywood Boulevard. It was this blocks-long string of inlaid stars that became Hollywood’s first official tourist attraction.

Initiated in the 1950’s, the Walk of Fame today comprises over 2,600 inlaid stars, commemorating a variety of popular performers and entertainment industry leaders.

hollywood attractions distractions tourist crime
Lots to look at on the ground.

Wiggy offers us a bit of perspective on the Walk of Fame. “People wanted to come see Hollywood,” he explained, “but the motion picture industry was not a place. The principal studios that make up ‘Hollywood’ were scattered all around, from the Santa Monica mountains to the San Fernando Valley, throughout Hollywood and mid-city areas of Los Angeles. So, creating the Walk of Fame gave a far-flung industry a more centralized attraction for tourists.”

The irony, Bob points out, is that you’ll never see an actual celebrity anywhere along the tourist zone of Hollywood Boulevard. To get a glimpse of living stars in the flesh, you’ll need to slide down to Sunset Boulevard, and head west toward Sunset Plaza.

Sidewalk congestion, attractions, and distractions make an ideal environment for crooks

Nevertheless, a cottage industry of businesses catering solely to tourists has sprung up along the Boulevard. Most recently, a spectacular retail, dining, and entertainment complex has been developed at Hollywood & Highland. A variety of vendors and street performers block the sidewalks with their displays and shows. On a busy summer day, it can be hard to move on the sidewalks, which are even more congested than the area’s infamous freeways. Pedestrians spill into traffic lanes as they navigate the crowds and board buses for tours of the stars’ homes. Pedestrian safety has become a hot button topic.

hollywood attractions distractions tourist crime
Bob Arno in a snake Hollywood photo-op.

I pause to admire the stars of Groucho Marx and Tony Curtis. But the boys’ heads spin to gawk at a pair of the street performers nearby, a duo of skin-tight black pleather-wearing Cat Women standing tall in stiletto boots. The male of the human species may be biologically compelled to have a wandering eye, but no one can claim they are especially sly about it!

The curvaceous ladies are in good company. The Boulevard is home to scores of cinematic and cartoony characters. The antics of the many street performers along Hollywood Boulevard serve to satisfy the need of tourists to see Hollywood, while obstructing the already congested sidewalk even more. And as we’re well aware, this clogged sidewalk and its many attractions and distractions make an ideal environment for crooks. Like tourism venues elsewhere, the street performers contribute to a climate of disorder which serves the purposes of opportunistic criminals.

In a flash, Wiggy has Bob posing for a souvenir photo with a lanky Cat Woman. Our R&R is off to a good start, it seems. But just as fast, their pose is suddenly photobombed by Jack Sparrow, Marilyn Monroe, Captain America, and a girl wielding two armfuls of live snakes. Uninvited, they crowd the shot. And once snapped, they all demand payment for the pic.

hollywood attractions distractions tourist crime
Cat Woman with Bob Arno and Dave Wiggins on Hollywood Boulevard.

As Bob notes, street performers and related scams are a common problem at tourism venues around the world. From the Colosseum in Rome, to Fisherman’s Wharf in San Francisco, street performers are notorious not only for creating the conditions which facilitate crimes, but sometimes engaging in crimes themselves.

While Wiggy fends off the spurious claims and hands over two dollars to Cat Woman alone, many tourists are intimidated and end up paying all of the photographic interlopers. It goes on all day, every day, all summer, says Wiggy.

And that’s just the tip of the street disorder in this tourist mecca.

An army of career criminals at tourism destinations across the globe work tirelessly at their nefarious trades to make things even tougher for travelers.

—Dave Wiggins

When Bob turns around to continue our stroll along the Walk of Fame, his trained eye instantly catches two locals, their backs planted against a store wall, one leg cocked up, intently observing preoccupied tourists. These are career criminals who prey specifically on tourists—distraction thieves who take advantage of the built-in madness of a place like Hollywood Boulevard.

hollywood attractions distractions tourist crime
Bob Arno, Bambi Vincent, and Dave Wiggins in Hollywood. (Thanks, passerby, for the blurry photo.)

Wiggy bumps into a couple of former colleagues and soon Bob is engaged in deep conversation with the local constabulary about current trends impacting tourism. Suddenly our day of leisure is looking like another workday.

To be fair, the issues and problems in Hollywood are no worse than any major tourism destination. But as Wiggy observes, one feature makes Hollywood Boulevard distinct: “Nowhere in the world are more people more focused looking straight down.”

Bob is an expert on how just such distractions facilitate victimization, so this turns into a lively discussion on tourism crime around the globe. So much for a day of R&R.

Such is the life of a thiefhunter on vacation.

© Copyright 2008-present Bambi Vincent. All rights reserved.

Living statue street performers levitate

Living statue street performers levitate

Living statue street performers

Living statue street performers levitate
Levitation in Rome.
Living statue street performers levitate
Levitation in Naples.
Living statue street performers levitate
Levitation in Malta.

Living statue street performers in Europe have learned a new trick. Now they levitate.

I’ve seen these floating swamis in several cities this month, all sporting minor variations on the theme. My favorite is the solo act I saw on a sidewalk in Rome. Unfortunately, there were three versions of the act in a row, which takes away a little of the surprise and mystery.

Aside from the lone meditating man in Rome, all the others I saw were duos—still a great effect.

And here’s what I really liked. The actors, and their assistants if they had them, hid their set-up. One morning, I saw a giant gray tent-like cover, billowing in the breeze on a sidewalk, as some mysterious activity took place within it. Though I enjoy watching the better living statues apply their makeup and don their costumes, I would not like to observe the secrets of this effect being revealed. It pleases me that the actors bother to prevent exposure.

How have the cities so suddenly become flooded with floating swamis? Is there one magician somewhere who sells or rents the gear? Does he own the franchise? Or did one clever living statue street performer take his act public, only to see a rush of copycats proliferate all across Europe?

At least one of these groups is from Bangladesh. Perhaps they all are. I didn’t have a chance to ask if they all descend from a single purveyor. Only one group I saw had a guard-assistant-controller nearby, with whom I could speak.

In general across Europe, the quality of living statue street performers has come down. I can be impressed with the creativity of some: their concepts, costumes, stillness, face expressions, and movements to reward a coin donation. But just as often now, they’re disappointing. Boring, with their faces covered by commercial masks, allowing them to lick their lips and twitch and scowl to their hearts’ content. So many now are cheap copies hopping on a bandwagon. If you’re going to be still—and do nothing—you better be really something to look at.

Living statue street performers levitate
Levitation in Stockholm.

© Copyright 2008-2013 Bambi Vincent. All rights reserved.

The proliferation of Barcelona’s living statues

Ramblas\' living statues apply their make-up on-site.
Ramblas' living statues apply their make-up on-site.

Adrian has been a living statue on Barcelona’s Ramblas for two years. He was a chef in Romania before, and part owner of a small hotel. But economic opportunities are greater for a statue; or they were, before major changes were instituted about two months ago.

No one needs a permit to be a statue on La Rambla, but there are rules and regulations. The statue must design and make an original costume. And the statue must be still, moving only to reward contributors to the hat.

Living statue: Electric Man used to use pre-existing crowds, collecting coins from diners in Ramblas cafes.
Electric Man used to use pre-existing crowds, collecting coins from diners in Ramblas cafes.

Performance artists are no longer allowed on La Rambla, because they often draw large crowds of spectators. The crowds attract pickpockets. Pickpockets can easily steal from a stationary, distracted victim who expects others to crowd in behind him.

This is a good theory, in general. In practice, many a performer fails to draw a crowd, and quite a number of statues have learned to do so. But there may be something to the new initiative.

It’s not a fair comparison, but I’ll compare anyway. In three days of walking La Rambla last week, Bob and I saw very few “suspects;” i.e., characters we deem worth watching due to suspicious behavior. Quite unlike our previous observations five months ago. See Barcelona Street Crime Today and the articles linked within it. Granted, it was pouring rain two of those days last week. The few brave souls out in the weather wore raincoats or jackets that made pocket access difficult. Anyway, the pickpockets stayed home. Not that rain always stops them! Our third day of tramping the tourist trail was mostly morning hours. This too, is not prime time for thieves.

Living statues. Rain doesn\'t always stop the thieves. There were five, though you can only see two here.
Rain doesn't always stop the thieves. There were five, though you can only see two here.

Even including a few afternoon hours, the avenida was quiet, perp-wise. Sure, the three-shell pea gamers were out, and we saw one pea crew under arrest, waiting for transport. But the population of thieves has moved on. Not far, I’m sure, but off the main drag.

And while the thieves are fewer on La Rambla, the living statues have proliferated. In some prime areas, near mcDonald’s, for example, and at the intersection of Portafarissa, barely six feet separate the statues from one another, six or seven of them in a row.

Living statue Adrian on a smoke break.
Adrian on a smoke break.

While some stand dejected, others have mastered a certain glint in the eye, a beckoning dare: “want to see what I do? Drop in a coin!” The plastic bottle man rarely stands still. The green fairy’s fingers are constantly coaxing passers-by nearer. The black horned creature has enormous curved wings, which he swivels to hide his face from photographers until he gets a coin. The toilet man makes faces. I’m pretty sure that the Michael Jackson statue is the same guy who used to do impressions at the bottom of La Rambla. He used to get huge crowds, and probably pretty good money. Now he stands frozen in costume, bucket begging, but not terribly enticing. His huge talent is wasted here. People walk on by.

Living statue
This creature doesn’t always wait for a coin. It moves, illicitly, startling passers-by in order to attract viewers.

One creature, a strange head resting low in a pile of blue satin, manages to get huge audiences. Like a jack-in-the-box, the head pops out of the fabric with a a growl and a shout, its single hand gesticulating wildly. The crowd screams and backs up, leaving a wide berth around the unpredictable danger. Strange, since it’s fairly obvious that the performance artist is crunched up in a box, non-ambulatory. Anyway, the spectators’ noisy appreciation attracts others to the circle, and the crowd grows.

living statue
A portion of the large crowd around a performance artist pretending to be a statue.

The difference between the large crowd surrounding the head-in-the-box, and the crowd that surrounded the Michael Jackson impersonator, is an important one to the pickpocket. The head-in-the-box has a limited repertoire, and therefor cannot hold a crowd. Michael Jacksonesque performed many songs, holding his audience and giving the pickpockets plenty of time to select a mark and do their dirty work.

People walk right past living statue Michael Jacksonesque, who was previously compelling with music and motion.
People walk right past Michael Jacksonesque, who was previously compelling with music and motion.

Adrian, who stands statue-still then poses for pictures for whatever coin he’s thrown, is in one of those concentrated rows of statues. Beside him is a magician, from Romania, like Adrian. The magician, wearing an ordinary black suit and white shirt, has a bit of a crowd around him. He’s performing with a trick rope, a black-covered book under one arm. He appears nervous, looking up and down the street. When he suspects police are near—perhaps he’s signaled by someone—he steps onto a small, low platform, flips open his book, and stares at it. Poof: a statue.

Adrian’s disgusted by the magician’s cheating way. He empties the small coins from his money-box as he complains about his neighbor. He says the tricks are lousy, just purchased things, performed without soul. Yet the magician gets crowds and Adrian doesn’t. Adrian tips his box and I see that a few one- and two-euro coins are glued to the bottom.

No more Flamenco on La Rambla.
No more Flamenco on La Rambla.

Adrian claims to get eight to 15 euros in his best hours. The magician gets more, he admits, and that makes Adrian mad. Still, he works the hours he wants to work, takes off when it suits him, and is able to send money home to his wife and two daughters.

It’s easy to see that the most interactive statues, those with the best costumes, those whose photos are most sought, make more money than the passive ones. Adrian said the best make 40 to 50 euros in a good hour.

The clowns make even more: 50 to 60 euros per performance for the best one, according to Adrian. Of course they no longer work on La Rambla either.

The city seems to be on to something. Or maybe it’s just a temporary lull. Time will tell. Bob and I will report later.

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