Cargo pockets are easy to steal from. Buttons or Velcro take the thief an extra second or two.
Sandy and Frances thought little of the gaggle of girls who flopped onto the bench they were resting on. There were more girls than could fit on the bench: half a dozen or more. They were pretty, 15-16-year-olds and with them was an adult woman. Their teacher, perhaps, Frances thought.
The girls cozied up to Sandy, making room for one more to squeeze onto the bench. They wiggled and squirmed, like impatient students in class, while the woman spoke to them. Sandy and Frances didn’t understand the language they spoke.
The couple didn’t notice that all the other benches were empty. They didn’t wonder why this gang, or “class,” had to crowd onto their bench. They were not the least suspicious of the girls.
“Why don’t we move so they can all fit,” Sandy said after a couple of minutes. He and Frances settled on the next bench.
“We needn’t have bothered,” he said, watching as the group immediately left the bench and the area.
Londoners Sandy and Frances had just flown into Barcelona to take a cruise. They were too early to board, but it was a gorgeous, sunny afternoon and they didn’t mind waiting the ten minutes before the gangway opened.
Although this cargo pocket has buttons, a hand can slip in between them. And did.
Soon they were in their stateroom, unpacking. Sandy opened a drawer to put away his wallet and, of course, you know: his pocket was empty. He’d had it in the cargo pocket of his pants, “secured” with two buttons. He told us how he went cold all over. How he checked and rechecked his pocket, not believing his wallet was really gone. But from the first instant, he knew exactly what had happened.
Are you groaning? Not another Barcelona story, please! I’m afraid so.
Sandy told us over and over how stupid he felt for letting it happen. There was a lot of money in the wallet, but his insurance would replace it. He just felt like an idiot. Although I’ve never heard of this particular technique, I assured him that this gang was well-practiced in the art of portraying innocence. They knew exactly how to behave, how to avoid rousing suspicion.
The thief hadn’t even unbuttoned the pocket. She didn’t need to. The gap between the two buttons was large enough for a slim hand and a wallet.
They got thousands of British pounds. I don’t think they’ll work for a while. We’re all safe from this gang, at least for the next week or two.
Ramblas' living statues apply their make-up on-site.
Adrian has been a living statue on Barcelona’s Ramblas for two years. He was a chef in Romania before, and part owner of a small hotel. But economic opportunities are greater for a statue; or they were, before major changes were instituted about two months ago.
No one needs a permit to be a statue on La Rambla, but there are rules and regulations. The statue must design and make an original costume. And the statue must be still, moving only to reward contributors to the hat.
Electric Man used to use pre-existing crowds, collecting coins from diners in Ramblas cafes.
Performance artists are no longer allowed on La Rambla, because they often draw large crowds of spectators. The crowds attract pickpockets. Pickpockets can easily steal from a stationary, distracted victim who expects others to crowd in behind him.
This is a good theory, in general. In practice, many a performer fails to draw a crowd, and quite a number of statues have learned to do so. But there may be something to the new initiative.
It’s not a fair comparison, but I’ll compare anyway. In three days of walking La Rambla last week, Bob and I saw very few “suspects;” i.e., characters we deem worth watching due to suspicious behavior. Quite unlike our previous observations five months ago. See Barcelona Street Crime Today and the articles linked within it. Granted, it was pouring rain two of those days last week. The few brave souls out in the weather wore raincoats or jackets that made pocket access difficult. Anyway, the pickpockets stayed home. Not that rain always stops them! Our third day of tramping the tourist trail was mostly morning hours. This too, is not prime time for thieves.
Rain doesn't always stop the thieves. There were five, though you can only see two here.
Even including a few afternoon hours, the avenida was quiet, perp-wise. Sure, the three-shell pea gamers were out, and we saw one pea crew under arrest, waiting for transport. But the population of thieves has moved on. Not far, I’m sure, but off the main drag.
And while the thieves are fewer on La Rambla, the living statues have proliferated. In some prime areas, near mcDonald’s, for example, and at the intersection of Portafarissa, barely six feet separate the statues from one another, six or seven of them in a row.
Adrian on a smoke break.
While some stand dejected, others have mastered a certain glint in the eye, a beckoning dare: “want to see what I do? Drop in a coin!” The plastic bottle man rarely stands still. The green fairy’s fingers are constantly coaxing passers-by nearer. The black horned creature has enormous curved wings, which he swivels to hide his face from photographers until he gets a coin. The toilet man makes faces. I’m pretty sure that the Michael Jackson statue is the same guy who used to do impressions at the bottom of La Rambla. He used to get huge crowds, and probably pretty good money. Now he stands frozen in costume, bucket begging, but not terribly enticing. His huge talent is wasted here. People walk on by.
This creature doesn’t always wait for a coin. It moves, illicitly, startling passers-by in order to attract viewers.
One creature, a strange head resting low in a pile of blue satin, manages to get huge audiences. Like a jack-in-the-box, the head pops out of the fabric with a a growl and a shout, its single hand gesticulating wildly. The crowd screams and backs up, leaving a wide berth around the unpredictable danger. Strange, since it’s fairly obvious that the performance artist is crunched up in a box, non-ambulatory. Anyway, the spectators’ noisy appreciation attracts others to the circle, and the crowd grows.
A portion of the large crowd around a performance artist pretending to be a statue.
The difference between the large crowd surrounding the head-in-the-box, and the crowd that surrounded the Michael Jackson impersonator, is an important one to the pickpocket. The head-in-the-box has a limited repertoire, and therefor cannot hold a crowd. Michael Jacksonesque performed many songs, holding his audience and giving the pickpockets plenty of time to select a mark and do their dirty work.
People walk right past Michael Jacksonesque, who was previously compelling with music and motion.
Adrian, who stands statue-still then poses for pictures for whatever coin he’s thrown, is in one of those concentrated rows of statues. Beside him is a magician, from Romania, like Adrian. The magician, wearing an ordinary black suit and white shirt, has a bit of a crowd around him. He’s performing with a trick rope, a black-covered book under one arm. He appears nervous, looking up and down the street. When he suspects police are near—perhaps he’s signaled by someone—he steps onto a small, low platform, flips open his book, and stares at it. Poof: a statue.
Adrian’s disgusted by the magician’s cheating way. He empties the small coins from his money-box as he complains about his neighbor. He says the tricks are lousy, just purchased things, performed without soul. Yet the magician gets crowds and Adrian doesn’t. Adrian tips his box and I see that a few one- and two-euro coins are glued to the bottom.
No more Flamenco on La Rambla.
Adrian claims to get eight to 15 euros in his best hours. The magician gets more, he admits, and that makes Adrian mad. Still, he works the hours he wants to work, takes off when it suits him, and is able to send money home to his wife and two daughters.
It’s easy to see that the most interactive statues, those with the best costumes, those whose photos are most sought, make more money than the passive ones. Adrian said the best make 40 to 50 euros in a good hour.
The clowns make even more: 50 to 60 euros per performance for the best one, according to Adrian. Of course they no longer work on La Rambla either.
The city seems to be on to something. Or maybe it’s just a temporary lull. Time will tell. Bob and I will report later.
Barcelona, Spain—They look like any ordinary girls, right? Walking down La Rambla, tossing their long braids, empty hands swinging casually. We only saw this view of them, from the back. So what made us perk up? What raised our antennas?
It was evening. We followed them on La Rambla for a minute or two, then they made a beeline to a trash can on the edge of the street. Peering into the can, the shorter girl reached in and extracted a perfect piece of cardboard. Perfect for her needs, anyway. Bob and I looked at each other. That was all we needed to see. The game was on.
The girls entered the elegant Plaça Reial, a beautiful plaza lined with outdoor cafés. The restaurants are first class, but the plaza’s loiterers can be pretty seedy. The girls entered with practice and purpose, turning to the right and walking quickly around the entire perimeter, right along the occupied tables. Bob and I split, so if one of us was spotted, the other could still film.
They walked around and around, eyes always on the tables, at times stopping to watch a particular table of diners. At some point the short girl gave her cardboard to her partner. She then wandered until she found a new suitable “tool” for herself, what looked like a take-away menu. She returned to the other girl, and they continued scouting.
I shouldn’t really call them girls. They looked young, but these two are women—not that I would hazard a guess of their ages.
When the pair noticed an opportunity, they strolled up to a table full of people. They casually laid their shield tools on the table, then seemed to have a little chat with the diners. Bob and I were both too far away to know what happened. The women lingered a while, then left. Bob or I should have approached the people at the table, but we didn’t. I don’t remember why we didn’t, but now I miss the information we might have gained. In any case, this is classic behavior, which we have seen over and over. Perhaps we were a bit bored with it.
The two prowled about the square, then plopped down on the edge of the fountain. Bob sat opposite them, observing. The fountain scene looked ordinary: people relaxing, admiring, resting, chatting. No one would have suspected the spy vs. spy game in progress. Or—were there more games going on around the fountain? Which other ordinary loungers had ulterior motives? We’d never know.
The women looked tired, bored, and defeated. They made another halfhearted round or two of the plaza, then meandered out. The light was fading. Bob and I, too, were tired, after successive days of beating the pavement. We had dinner reservations. So we left.
We did not see this pair steal, but they appeared to be practicing a laid-back, easy-going version of the M.O. of the boy postcard thief, and similar to Kharem’s style. Although they looked bored and tired, they also seemed to be comfortable and experienced, if not proficient.
The old gypsy cardboard trick
These are all expanded uses of the old gypsy cardboard routine, which is still widely in use. Yes, we saw that trick, too. The woman pictured is using cardboard, but just as often, the shield is a piece of newspaper or a map. In Russia, they used puzzles, already put together and glued onto board, which they pretended to offer for sale. They were very, very good with those puzzles, and under them, too.
Barcelona, Spain—We’re walking along Carrer de Ferran, a block off La Rambla. Instead of paying attention to the street scene, I’m looking for a wine shop. Ana is cooking dinner for us and we’re already anticipating the cozy evening. (Dinner turned out to include a sensational artichoke risotto, the cheesy sort that begs for overindulgence.)
So we’re ambling among the eclectic mob on Ferran when half a block ahead I notice a boy unfurl a piece of paper. It could have been a folded brochure or magazine page. He unfurls it with purpose, turns and walks toward me, but on the other side of the street. He’s got my attention. In a few seconds, he reaches the bar directly across the street from me, where people sit behind small tables at the open front. The boy lays his paper on top of a table, waits half a beat, then picks up his paper and scuttles back to the corner where I first noticed him. I see an empty spot on the table.
Carrer de Ferran
I grab Bob, who is ten feet ahead of me. “Postcard thief,” I say, “let’s follow!” I don’t mean someone who steals postcards. I’m referring to the method Kharem demonstrated years ago.
Meanwhile, the thief has met a girl on the corner, and he gives her something. We rush to catch up with them, pulling out cameras that had been retired for the evening. The boy and girl turn down an alley. Bob and I trot to get close, then stay ten or so feet behind them as we strategize. I want to confront them right away since I know they just took something. We close in and I come around the girl’s side.
The pickpocket\’s accomplice
“Give me the wallet,” I say, my hand out. I know she still has it. I know she has no choice. We’re in a plaça now, with lots of people around. I repeat my demand a couple of times.
The girl looks at me like I’m crazy, her fingers to her chest, shoulders hunched. “No have,” she says, or something like that. I put my hand on her. She immediately twirls out of my grasp so I turn to the boy.
“Give it to me,” I say. “I saw you take the wallet.” I hold up my camera. “I have photos,” I lied. “He has video.” I point to Bob, who is filming.
The pickpocket denies that he stole a wallet.
I reach for the boy, and they both take off, full-speed. “Cartaristas!” Bob shouts, mostly as an experiment. His Swedish-accented Spanish reverberates throughout the land. Every head in the plaça turns to look at us. No one seems to look at the fleeing thieves. We let them go.
Backtracking, we return to the bar. The victim is clearly looking for something. He’s only just discovered his loss.
Bar table in open window
“Is your wallet gone?” I ask him in a breathless rush. “I saw the thief who took it! I’ve just been chasing him!”
“No, my mobile is gone,” he said. “It was right here.”
Shit! If I had demanded they give me the phone I would probably have gotten it back!
The pigeon poop perp squirts fake bird droppings on his mark, then points it out and offers to clean it off—while he cleans the victim out.
Barcelona, Spain—The Pigeon Poop Pickpocket got me with a double-blob on my back. I felt it ever-so-lightly and knew instantly we’d been accosted by that infamous and elusive thief. A second later, the thief overtook us, smiled, pointed to my back, and said “bird, bird.”
The Pigeon Poop Pickpocket
What luck! Bob and I were ecstatic to see that we recognized the creep. We had met the pigeon poop pickpocket exactly ten years ago, when he squirted my back with fake pigeon poop about ten blocks from this location. His technique was identical, he looked the same and dressed the same, in shorts, with a cap, backpack, and big glasses.
The pigeon poop perpetrator.
Our excitement impaired our judgment. We should have let the game play out. After all, we were ready for him, with a prop wallet in Bob’s pocket, three hidden video cameras, and two still cameras. Our cash and credit cards were safely stowed in pouches under our clothing. But we remembered how slippery this guy was in June of 1998, that we couldn’t induce him into conversation, that he smiled politely and slowly backed up until he could escape from us.
This time, Bob kept a hand on him in a friendly sort of way and insisted that he talk to us. He didn’t seem to remember us at all. Bob suggested coffee and the thief agreed, leading us to a café a block away. Bob stayed in his face and I had him trapped from behind as we fast-walked and fast-talked. Would he bolt at the intersection? We both noticed that he emptied his goop as we walked. It flew out in big globs as he slyly ditched the evidence. Until he dumped his little squirt-bag, he gestured like a magician: theatrically, as if we wouldn’t notice his tightly clenched fist.
What’s in his right fist?
Moments later we were sitting around a little aluminum table outside a restaurant. We ordered cafe solo, he ordered a “bitter.” The waiter gave him a sideways glance. Was he recognized? The waiter said no, when we returned later to ask. The thief told us his name was Manel, but he was in a hurry, he had to go pick up his children. I respected his desire to be on time for his kids, but Bob wanted to talk now. I’m such a sucker. I believed this known criminal, this con artist with the duplicitous smile. Eventually we agreed to meet in our hotel lobby in an hour and a half. “2:30,” he stressed, “not 3:00.” I’m such a sucker. With his big smile, he backed away until he could lope out of site, pointing to his watch and the general direction of our hotel. Just like ten years ago.
We rushed back to the hotel. If nothing else, we needed to put away our tapes for safekeeping. And I needed to change out of my shitty clothes. He won’t show up, Bob said. But we called our trusty translator Terry, our dear friend Terry, who dropped everything to fly all the way across town on his bike. This is a big deal. Terry’s starting up FluidInfo, the tech company of tomorrow according to the elite circle who understand what he’s doing and fund him. He doesn’t really have time to fool with thieves. But he made time, just in case. He won’t show up, Terry said.
Of course the perp didn’t show up.
Ten years earlier… The pigeon poop pickpocket in 1998. He just happened to have a packet of tissues handy; just happened to have a bottle of water.
With Terry, we went to the police station to show his photo, again. We did it years ago and he’s still at large, but we wanted to hear what the cops said. Ten years ago the police showed us the three hundred faces in their database, all men who practice la mancha, the stain, or what we call the pigeon poop pickpocket’s ploy. Our man’s mug was not on file then. This visit was unproductive, even a comedy of errors. Predictable, I thought.
The next day we found Kharem approaching marks on La Rambla, and we showed him photos of Manel. No, Kharem said, his name is Miemou. He owns a bar. Bar owners can steal with impunity, Kharem told us, because no one will accuse them. Miemou has a brother also named Kharem, who picks pockets in the Metro. That was Kharem’s story, anyway, which I take with a grain of salt. (I’m not always a sucker.)
The pigeon poop pickpocket’s ploy is this: The perp sneakily throws or squirts something onto your back. Then he politely points out the mess and offers to help you clean it off—while he cleans you out. This is a perfect con. (Con comes from confidence, right?) He plays the good Samaritan. He gains your confidence. He creates a strategy to touch your body wherever he wants to, wherever the disgusting mess supposedly is. A pickpocket can’t steal without touching, right? Why wait for an opportunity? That’s for amateurs. Create one! I call these thieves strategists and they are devious. Look, he makes you grateful to him. He desensitizes you to his touch. And he employs the yuck factor, taking advantage of the truth that bird shit directly triggers the ick region of the brain, a highly effective distraction.
This guy got it good.
FAQ:
How is the goop applied to the mark?
I begged the pickpocket to show us his tool, both this time and ten years ago. No luck. It seems to be a small plastic bag. I watched his hand like a hawk and never caught a glimpse of the thing. Neither did I find it when I returned to the scene later and searched the pavement. Other practitioners surely have their own inventions. In Las Vegas, we saw a team use the same technique, but one of their members spit into the victim’s hair. And here’s a photo of a victim who was doused with brown goo. Must have used a water pistol.
What is the stuff made of?
I felt that our perp’s formula has changed from ten years ago. Then, it was more a striated mix of blackish and white stuff. This time, it was pure beige. It dried to a soft, waxy cake with a texture similar to cheap chocolate, or white chocolate. I was not a dedicated enough researcher to finger the stuff, smell it, or taste it. It definitely stimulated the ick region of my brain.
Does it wash out?
Mine did. Another perp’s formula might not.
Is this strategy unique to Barcelona?
Not at all. In fact, most of the 300 perpetrators the police had on file were South Americans. The spitters in Las Vegas mentioned above were from South America, too. In New York, the method is identical but the perps squirt ketchup or mustard on the mark near a street-food vendor; hence, the “condiment caper.”
Any other clever twists on the theme?
Some perps dirty their male marks’ jacket. The clean-up process involves removing the jacket, the better to clean it, which gives free and easy access to all pockets, including the difficult-to-reach inside breast pocket.
Barcelona, Spain—We found Kharem again on La Rambla. He passed us head-on, with a huge smile. He didn’t notice us, but I recognized him. We swiveled on our heels and followed.
He skipped along the outdoor restaurants, waving to an individual in almost every group, as if he knew them. He walked fast but paused frequently to touch someone, say a word, greet a stranger like a friend. He kept moving. Walked almost to the bottom of Ramblas, where he stopped for a full minute to chat with a driver at the wheel of a delivery truck. Then he continued in the same style back up La Rambla.
At one point I asked a woman he had spoken to, what did he say? Oh, just something about a restaurant, she said. She wasn’t sure what it was about. Then Kharem made a right, into the side street where we’ve had coffee with him many times. Bob wanted to go say hello. I wanted to lie low and continue filming him. Bob moved toward Kharem and I followed. The thief lit up and gave us hugs. (mi amigos!), touching his chest, grinning.
Kharem pauses to smile at diners on La Rambla. A big grin implies he’s “okay!”
But Kharem is in a bad mood because the day before yesterday, he was out—not stealing!—when the police stopped him. They said they wanted to take him to the police station, but instead, they drove him up to Montjuïc. There on the mountain, they beat him up. He points out the scabs around his mouth. They took over €500 from him. Then they left him on the mountain. It took him three hours to walk down. He’s angry.
Pickpocket technique
Kharem wants to talk in relative privacy, so he leads us through a labyrinth of narrow alleys to a bar he knows, where we won’t pay tourist prices. I was nervous when he led us through similar iffy streets in 2001, when we first met him. Less worried in the following years. Now, after meeting Kharem two or three times almost every summer, I feel comfortable enough to follow him. As he feels comfortable enough to talk to us, and to allow us to film him.
He leads us into a tiny bar and we order two beers. The woman bartender gives us three and we feel stuck with three. We don’t want to make a scene. After fighting Kharem for the right to pay, we fork over €9 for them—$15—which feels a bit touristic to me.
Kharem wants to be noticed.
Kharem immediately gets into an Arabic shouting match with another patron, then simultaneously a loud Spanish argument with the bartender. Bob and I are in the literal middle.
Kharem even touches a woman on the street. Would a thief act like this? Joking and touching a stranger on the street?
The Arab starts to leave and Kharem offers him our extra beer, but he rejects it. Then we get kicked out and are not allowed to even take the beers.
In the bar, Kharem takes a sip between angry shouts. Video taping from below.
We walk to Plaça de George Orwell, and Kharem seems pleased to remind us that we took a photo here long ago. We catch up on the year’s news as best we can. Kharem’s English is better than our Spanish, but we do best in French. Still, we’re missing too much. We phone Terry, who drops everything and zips over on his bike.
Meanwhile, Kharem and Bob demonstrate wallet steals on each other. First Bob takes Kharem’s wallet. Then Kharem shows his style, which is the same one he demonstrated in 2001, pulling on the bottom of the pant leg. Kharem shows us his wallet. “American,” he says. Meaning: he got it from an American.
Kharem points to a couple sitting at a table in the square. “See her camera?” he asks. “I’ll go steal it. You can film me.”
Bob and Kharem demonstrate their techniques. “But what you do on stage is very different,” Kharem tells Bob.
“No, Kharem, you know we can’t do that.” I remember he had told us years ago I want to be in your movies.
Now that Terry has arrived, we can ask pointed questions, like, why all the happy greetings on Las Ramblas? What were you doing?
“I make them feel comfortable around me, I make them relax,” Kharem says. He takes out a handful of restaurant brochures from his back pocket and explains that he distributes them, and walks away. Then he comes back to collect them. “I’m like a vacuum cleaner,” he grins.
Kharem demonstrates his postcard technique. “Pretend the wallet is on a cafe table…”
Ah, I realize that Kharem has fine-tuned his old technique, the “postcard steal” that he demonstrated back in 2002. In it, he fans out some postcards and pretends to offer them to people at tables who have a valuable item sitting on the table. He holds the postcards close over the item, and when he walks away, the item goes with him under the postcards.
In his 2002 demo, we were in an alley without a table, so we had to pretend. You get the idea, though.
As if offering them for sale, Kharem fans out his postcards over the wallet…
This happy, in-your-face style Kharem has developed busts yet another myth of pickpocketdom. That a pickpocket wants as little face-time as possible. If Bob and I hadn’t already known and recognized this thief, we would never have tagged onto him. Sure, we’d catch his behavior in step two of his modus operandi; but we wouldn’t suspect him as he walked about greeting people. It’s brilliant.
Kharem’s new M.O. raises him from a simple thief to a con man. He now preps his marks with a premeditated encounter designed to establish acceptance of his presence.
“If you’re like a vacuum cleaner, how come you have no money?” Bob asks.
“I told you, the police took €500 and something from me day before yesterday, that I was going to use to pay the rent, but now—”
Under the cover of the postcards, Kharem snags the wallet.
Terry says it’s possible that the police, knowing that these guys have to pay rent at the end of the month, pick them up late in the month. There are people who prey on cleaning women who don’t have papers, and they rob them at the end of the month, when it’s likely they’ll be carrying cash. He knows a woman it happened to.
“The police are caca, caca, caca” Kharem says, his finger in front of my lens again. “If I had a gun I would shoot them. When I have extra money, I give it to people who don’t have money, people who are hungry. But now I’m looking for a gun to kill the police.”
“You don’t have the heart,” I say.
“No, I don’t have the heart. But I want to.”
Kharem is angry about being mistreated by the police. He gets a kick out of putting his finger in front of my lens, over and over.
“Tell me about the man in the video,” Bob says. Earlier, he had shown Kharem a video of the “pigeon poop perp,” and Kharem had a lot to say—more than we could understand without Terry’s translation. Now he explained again. He knows the man, claims his name is Miemou, that he owns a bar and is also a pickpocket. This sounds unlikely to me, but Kharem explains his theory of corruption.
Bambi talks to Kharem and Terry Jones.
“Now I’m going to do you a favor. Watch me,” Kharem says. “I’m going to go among the tables in the plaza, among the people dining there. But for you, I will not steal anything. Watch.”
Kharem goes from table to table distributing the brochures he’s been carrying and returns to us. Empty handed. “I need to go back to work. I have no money and I have to pay the rent today.”
She steals from any pocket or bag under her cardboard
Three female thieves with cardboard shields; two thefts from a park; one pigeon poop pickpocket; one postcard technique theft; one very prolific, multi-talented pickpocket; continuous 3-shell, or pea games; and more. No partridge or pear tree.
Bob and I just took three days to re-evaluate the street crime scene in Barcelona. I don’t know why it’s such a contentious topic. Visit any travel forum and you’ll find defenders who say street crime isn’t bad there, that it’s no worse than in any big city, that it’s the stupid tourists’ fault.
Bob and I love Barcelona and believe me, it pains us to say it; but yes, Barcelona is right up there among the cities with the highest rates of theft from tourists. Still. Then and now.
We did not spend every minute of our three days there seeking out thieves. We began by visiting a park with our friend and his children. We did not see the thefts that occurred there just then, but the perpetrator was apprehended, the police were still on site, and Bob spoke with the three victims, two of whom were a young French tourist couple. Their valuables and documents were stolen as they lay dozing, or semi-dozing. The gentleman was alerted when the thief tried to get into his bag, which he was using as a pillow. Must have been a thrill-seeking thief to attempt stealing items from right under a man’s head.
The infamous pigeon poop perp.
We did not loiter in dark alleys or hang around after hours. We tramped the beaten path. The pigeon poop perp targeted us in the middle of lunch hour on a broad business and shopping street, across from a big hotel. Kharem, whom we’ve found almost every year since 2001, was hard at work with a brand new style on Las Ramblas, Barcelona’s main tourist artery. Same with all the other thieves we came across in these days. If you do stray from the well-worn paths, you’ll find more and different crime, for sure.
We were strolling to our friends’ apartment for dinner, technically off duty with cameras put away, when we saw a young man steal from a restaurant table. We were not looking for crime.
The receptionist in our hotel (which has 90 rooms), said she gets reports of theft from the hotel’s guests about once a week in the summer, but much less during the rest of the year because then guests are mostly Spanish business people who behave differently. The next evening, the receptionist told us that her cell phone had just been stolen from her handbag as she sat in a coffee shop with friends.
A receptionist at another hotel, which was located closer to Las Ramblas, said he gets one or two reports a day from his guests. I don’t know how many rooms that hotel has.
An Australian doctor told us he had just spent six days in Barcelona at a pathology conference. One of his colleagues had her passport stolen and when she went to the embassy, fourteen other conference attendees were there reporting thefts.
Escabeche: peppers, eggplant, anchovies
Over the next week or so, I’ll be posting details of the above incidents and characters, and more from this research trip. I may not remember to mention what a good time we had in Barcelona, the good meals we had, the beautiful architecture we feasted our eyes on, or the lively ambiance we enjoyed. These are only a few of the delights the city has for tourists to discover. In some way, I’m sorry that my writing focuses on crime. I don’t want to hurt the reputations of cities I love. Neither do I want to scare anyone away from visiting just because there is a relatively high rate of theft.
Eat, drink, and be merry on La Rambla. Great for people-watching. Great for pickpockets. (This is a frame-grab from video, hence the poor quality.)
Yannick Laclau wrote about Barcelona, a city that Bob and I love. But Yannick’s news was a sad consequence of the ostrich hiding its head in the sand. He wrote that Barcelona is close to losing its status as host to the Mobile World Congress, partly because of street crime. If the conference does go elsewhere, it will be concrete evidence of the seriousness of Barcelona’s problem, which everyone knows about but few do anything about. (As if endless reports of robberies and muggings are not evidence.) If one conference pulls out, more are sure to follow. That ought to yank the ostrich’s head up. But as he just gazes bleary-eyed (“Hey, where’d everyone go?”) at lower tourism numbers, Barcelona’s convention bureau will have a helluva time convincing group organizers that the city is safe.
What a shame that attendees might miss fabulous Barcelona. Bob and I visit often. It’s one of our favorite cities for dining, atmosphere, and thiefhunting. But I must admit, while we hunt thieves in cities around the world, Barcelona is one of our best laboratories. Kharem, the thief I wrote about here operates in Barcelona. There’s tons about Barcelona featured in our book, Travel Advisory.
A pickpocket's cost of doing business.
Some cities and tourism bureaus take a pro-active stance in fighting tourist-related crime in an aggressive manner, by warning people, taking good care of victims, and prosecuting perps. Others sweep it under the carpet and suppress press articles. Negative publicity has a devastating effect on tourism: look at Kenya, Aruba, and South Africa, three dream destinations whose reputations have been pretty ruined by crime.
Honolulu and Orlando, as opposite examples of tourism destinations with their share of crime, fight hard to combat it. If you’re a victim of crime in these cities, you’re so well-taken care of that you leave with good feelings anyway. And, you’re likely to return for another vacation there, all expenses paid, in order to testify against the thief.
Eight or so years ago, we worked on a (major cruise line’s) ship, on which we entertained with a comedy pickpocket show, and also lectured passengers on how to avoid street theft. We gave examples and showed our own video of crime in action. The ship’s hotel director, who lived in Barcelona, was deeply offended that we showed actual examples from his city, which he insisted was one of the safest in the world! Later, we were told outright that the cruise line would prefer to keep their passengers ignorant of the dangers of the ship’s ports of call, rather than expose the “frightening” and “ominous” reality of travel.
Kharem, a pickpocket in Barcelona, showed us a stack of fines he was required to pay to the court. They ranged from 80 to 150 euros each.
Numerous factors help explain Barcelona’s rampant thievery. Tax and immigration issues, packed prisons, overextended judicial systems, law enforcement budget constraints, high unemployment, all contribute to the persistence of street crime. But when the courts give a pickpocket a monetary fine to pay, how do they expect him to obtain the funds?
So is Barcelona right to just let itself be what it will be? Do officials realize (or care) that most visitors are not as city-savvy as its locals are, and are thereby more apt to become victims? Individuals like Canadian Mary Chipman, who broke her hip when a bag snatcher pulled her to the ground, don’t matter. Neither do the hundred or so individuals documented on Street Scams of Barcelona, or any like them. But when conventions start pulling out, perhaps local businesses will hurt enough to instigate some changes. We shall see.
Never mind. I will continue to visit Barcelona and recommend it as an exciting place to visit. And, there’s one failsafe way to avoid pickpockets.
High and Dry on the Streets of Elsewhere
Chapter One, part-g, Travel Advisory—
No more Flamenco on La Rambla.
Barcelona, a fusion of passion and creativity, chaos and order, where art is in every detail, is a living laboratory of street crime. It’s one of our favorite places in which to study this bizarre subculture, and it supports a great diversity of practitioners from the various branches of thievery. With patience and practice, the keen-eyed observer will be rewarded with abundant examples of pickpocketing, bag snatching, and three-shell games.
On duty, Bob and I saunter and prowl, observant and suspicious. It’s the height of summer and the crowds are thick as—well, thick as thieves. We’re hypertuned to inappropriate behavior; suspects pop out of the crowd as if they have TV-news graphic circles drawn around them. One of us merely has to say “ten o’clock” and the other glances slightly left and knows exactly who, of the hundreds in view, is meant.
What are those pop-art pictures called, the wallpaper-like fields of swirly pattern that, when stared at long enough finally push forward an object or scene? Stereograms, I think. Blink, and the object disappears into the repetition of the pattern. Likewise our suspects: with concentration, we force them to materialize out of sameness into a dimension all their own.
But in two ways, they easily return to the background. First, we may lose them: they’re too fast; they turn a corner; they duck into an alley we don’t want to enter; or we turn our attention elsewhere. Second, their behavior is suddenly validated: for example, a fast moving pair of men looking left and right, darting ahead of clusters, purpose in their pace and us on their tail, eventually catch up to their wives. Perfectly innocent! In Venice, in Lima, in Barcelona, we wasted energy observing the bizarre behavior of deviants who turned out to be perverts. They just wanted to rub up against women, not pick their purses. Once, we tracked a pair of plainclothes police. Sure, we follow lots of dead ends-just as directors audition endless rejects.
