On touring

Just For Laughs Comedy Tour 2010: Gina Yashere, Ryan Hamilton, Bob Arno, Robert Kelly, Frank Spadone, and Jeremy Hotz (not pictured)
Just For Laughs Comedy Tour 2010: Gina Yashere, Ryan Hamilton, Bob Arno, Robert Kelly, Frank Spadone, and Jeremy Hotz (not pictured)

Bob and I are presently touring. It’s just three weeks across Canada—nothing long or exotic. We’re not roughing it, either. Well…15 cities in 21 days is a little rough.

We’re part of the Just For Laughs Comedy Tour—bringing raucous humor to large and small cities from east to west. The tour has been organized to the smallest detail with the dual goal of putting on fabulous shows almost every night and making it as easy and pleasant as possible for the artists. That means our hotel rooms are ready no matter how early we arrive. Keys are handed out without our needing to check in. Our frequent flyer numbers and hotel loyalty program numbers have been entered for us. We’re pre-checked in for flights, and cars, vans, and buses are always ready when we are.

National Arts Centre Theatre in Ottawa
National Arts Centre Theatre in Ottawa

When we get to each theater, our names are on the dressing room doors and our favorite snacks and drinks are backstage in the green room. Our own secure wifi network has been set up. The backstage ambiance is relaxed at first, but energy quickly builds as the comedians gear themselves up for their sets. Each has his or her own way of mentally preparing. One sings and does little dance steps. One reviews notes. One snipes at anyone he sets eyes on, warming himself up. And one doubles over with stomach cramps from anxiety. Each is a seasoned professional and hits the stage in attack mode, ready to tear the audience apart.

New to Canada, we never know what to expect as to theater or audience demographic. It’s fun to experience the differences. The theaters range from beautiful, old, traditional ones like the Capitol Theatre in Moncton, New Brunswick, to the big beer-barn of Centennial Hall in London, Ontario, to the enormous Massey Hall in Toronto. Our audiences, from 800 to 3,000 people each night, have paid to see us and are therefore vastly different from the corporate attendees who basically challenge us with “go ahead—prove yourself.”

The Just For Laughs Comedy Tour stage set at rehearsal.
The Just For Laughs Comedy Tour stage set at rehearsal.

We’re no strangers to life on the road. 200 to 250 nights a year in beds not-our-own, for the past 17 years is the experience I speak from. This tour is high-intensity-travel.

We’re in a different hotel every night or two. After the third or fourth hotel, I lost track of our room number and now make notes for my pocket every day. Yesterday we actually entered the wrong room. Housekeeping was there and let us walk on in. We saw other people’s stuff and realized we were on the wrong floor. Such a weakness in hotel security. We keep the do-not-disturb sign on our door.

Inside the Just For Laughs tour bus
Inside the Just For Laughs tour bus

Road food is tiresome. We want a breakfast better than Starbucks, but not as big and bland as hotel buffets. We found a good restaurant chain for breakfast, then got sick of it. It’s a struggle to find an independent restaurant or diner we can walk to with so little time to spare. Dinners are mostly impossible. We leave for the theater at 5:00 or so, and are busy until 10 or later—exactly restaurant dinner hours in all but the biggest Canadian cities. We usually manage a decent lunch; sometimes very good ones. Since we stay in city centers, we must usually be sure to go for lunch before the joints close up at 2 pm.

Artists, staff, and some crew board our little jet
Artists, staff, and some crew board our little jet

Mostly, we fly from city to city. We’ve also traveled by tour bus, the big comfortable kind with sofas, bunks, kitchen, bathroom, and internet. Between Prince Edward Island and Halifax, we took a private chartered jet.

While we were flying among the Maritimes, all the tour gear and sets also flew, or was driven overnight. We used smaller, packable sets and limited sound and light equipment. Now we have an 18-wheeler that carries the huge Just For Laughs set pieces, sound, lighting, catering, and office. I can’t imagine what’s in the many, many trunks that are unloaded every day and packed up at the end of each city’s gig.


The truck doesn't fit into one photo
The truck doesn't fit into one photo.

For us, it’s important to have packed every thing we want or need, but nothing else. Packing every single morning makes you think about what you really want to unpack. What you really want to unpack varies vastly from person to person. Especially from Bob to me. I am the minimalist in our family. He brought his espresso machine. Touring in cold weather is an extra complication, having to look after such easily losable items as gloves and scarves.

Just a few of the sea of trunks and set pieces carried by the truck.
Just a few of the sea of trunks and set pieces carried by the truck.

We thoroughly enjoy the company of the other comedians in the show, as well as the staff and crew. We don’t sense any of the competitiveness or jealousy common among magicians. From our perspective, the mix of personalities on this tour is harmonious, and the beginning of lasting friendships.

© Copyright 2008-2010 Bambi Vincent. All rights reserved.

Chortle reviews Just For Laughs

Bob Arno on stage at the Just For Laughs Gala
Bob Arno on stage at the Just For Laughs Gala

The UK comedy guide Chortle.co.uk reviewed the Just For Laughs Craig Ferguson Gala. The most interesting part of the review:

The next act, Bob Arno, steals material. Ties, belts, watches, cellphones and wallets, mainly—as he’s an expert pickpocket. He romps through his act with verve and speed, rattling through some polished, witty banter as he displays his amazing talent. The biggest thing this lively, compelling performer stole, however, was the show.

Along with the Montreal Gazette proclaiming Bob Arno as “best act,” we’re happy.

Bob Arno in Just For Laughs

Bob Arno just for laughs

Backstage at the Just For Laughs Gala showMontreal, July 18—Hospital instead of curtain call for Bob Arno at the end of his performance in the televised Just For Laughs Gala, Friday night. Hosted by Craig Ferguson, the all-star line-up played to a packed house at the 2200-seat St. Denis Theatre. Performing comedians included Craig Robinson, Mike Birbiglia, Steve Byrne, Elvira Kurt, Bruce Bruce, and of course, Bob Arno.

Just For Laughs Gala rehearsalThe day before, Bob rehearsed the seven cameramen and the sound and light technicians. The theater looked spectacular. Andy Nulman was there, an old friend of Bob’s for more than 20 years.

We arrived on show night in time for makeup and a photo shoot. Then Bob cased the joint, as usual, getting a sense of the upscale audience the costly event attracts. At 7:30 or so, standing in the back of the house waiting to go on, Bob began to feel a little queasy. Something was bothering him, and it was getting worse, not better. Backstage in the wings, I had no idea.

Bob went on and did a smashing show, only a minute longer than his allowed ten. Dashing into the wings to huge applause, he ducked under the video camera waiting to tape his bumper shots. I chased Bob through the backstage maze, through the dressing room hall where 20 or more comics watching the the show on monitors burst into applause, and only caught up with him in our dressing room.

“You’re supposed to tape bumper material,” I reminded him, “it’s in the contract.”

“I can’t,” Bob said, doubled over. “I have a kidney stone.” He grimaced.

Bob Arno on stage in the Just For Laughs GalaBob Arno’s virtuoso performance was also a heart thumper. With a switch from crime to comedy, “pickpocket” Arno has gone straight but, be forewarned, he’s nobody’s straight man. He delivered a hilarious routine that left the audience running for cover, and double-checking its pockets.” —Hollywood Today.

The scene in the dressing room was bizarre. Bob and I discussed options, to the extent Bob was able to communicate at all. The door was knocked on by a procession of people, and each time I opened it, the inside handle fell off. I was irritated that I had to fit it back on each time, otherwise the door could not be opened. Meanwhile, the next comedian’s routine was blasting into the dressing room and—we could hardly believe it—he seemed to be doing a routine on kidney stones! He graphically described a urinary exam that had Bob shaking his head when I urged him to go straight to the hospital.

Meanwhile, the cameramen kept trying to interview Bob, a PA wanted me to sign off on payment, Andy Nulman was recommending hospitals, a car and driver was arranged, and I was spreading apologies.

Then Bob pulled two watches out of his pocket which, in his pain, he was too distracted to return while on stage. I gave them to Craig Ferguson, who tried to return them to their owner from stage between comedians. One watch was claimed, the other was not. Perhaps its owner left, or didn’t realize it was missing. Eventually, a woman claimed it, running up on stage and admitting it wasn’t hers, but that claiming it allowed her to get a kiss from Craig Ferguson.

Bob skipped the curtain call and slept it off. It was a rough night for him, having refused the hospital. By noon the next day, he was almost back to normal. The Montreal Gazette, in its review, bestowed “Best Act” on Bob.

Rue St. Denis at the Just For Laughs Festival in MontrealHappily, we kept our early dinner reservations, then meandered slowly through the city streets, packed with Just For Laughs Festival goers. At the St. Denis Theatre another Gala show was in progress. We popped in and offered to tape the video bumpers and intros that Bob had refused to do because of his illness. Bob delivered them with energy so high it was hard to believe he had been so incapacitated 24 hours earlier.

Street creature at the Just For Laughs Festival in MontrealWe headed back out toward the street of festival crowds, where all the comedy stuff was happening. A giant praying mantis climbed over us, its delicate legs lifting high, head tilting, eyes flashing. We were on a perpendicular street about half a block from the thickest crowd, when suddenly there were screams ahead and panicked people scattering. I just had time to ask “what is it? what’s going on?” Then a bucket dumped on me, and on everyone around me. It was a storm the likes of which I’ve never experienced before, despite having lived in the tropics in Asia, Africa, and the Caribbean. One minute it was dry. The next was like standing under a waterfall. There was no cover. We crowded into a doorway, but it didn’t have a roof. Another couple squeezed in and put up an umbrella. I cozied up to them, uninvited, and got the spill from their umbrella along with the rain. We were drenched.

Watch for the 2008 Just for Laughs television show hosted by Craig Ferguson. It will be broadcast around the world. I don’t know when.

Hoodwinked

Just For LaughsMontreal—Pardon this little interruption in the Russian Rip-off 5-part story. For our Canadian friends and fans, Bob and I would like to announce one of Bob’s rare public performances, in the new touring show Hoodwinked, premiering this week at the Just For Laughs festival in Montreal. Hoodwinked will play on Tuesday, Wednesday, and Thursday, July 15, 16, and 17, at the Gesù Theatre.

Hoodwinked : Prepare to be Conned

Bob Arno is the world’s most famous pickpocket. Years of research and first-hand observation of real street crime have made him an authority frequently consulted by police, security experts and television producers. Bob artfully blends the comedy and tragedy of thievery in his outrageous performances. Bob has been featured on ABC’s 20/20, CNN, the BBC, and National Public Radio, and he has been profiled in the New York Times and USA Today.

Banachek is a leading expert on psychological manipulation. At 18 he became a test subject at a heavily funded university psychic research facility. For two years, scientists closely studied and tested his “psychic” abilities. Using only his skills of deception, Banachek astounded the researchers and made them believe he truly was psychic. His live performance features demonstrations of subliminal influence and “cold reading” that are at once hilarious, fascinating and, at times, disturbing.

A well known authority on all things deceptive, Todd Robbins has been called the “king of New York con men” by the New York Times. He has used his expertise, gained by walking down the shady streets of fraud, on numerous TV programs and has consulted on various articles, documentaries and films. In April, Bloomsbury Books released his book The Modern Con Man: How to Get Something for Nothing.

Card mechanic Richard Turner is an expert on card cheating and sleight-of hand. He is respected within the international casino industry as one of the most skilled cheaters ever. Richard travels the world demonstrating his ability to cheat with cards undetectably. Endless practice and years of training result in card table mastership that is unsurpassed, and which can now be shared in Hoodwinked through the use of live video projection.

Hope to see some of you there.