crowd – Pickpocket Bob Arno

Pickpockets on trains

Unfamiliar fingers fiddled with the flap of my bag.

I let them. My American Express card was in the purse, along with a small camera and other things I’d hate to lose. Still, out of the corner of my eye, I watched without interfering.

I was wedged like a flimsy pamphlet between big brass bookends, and about as immobile, too. We had just boarded the metro train at Omonia Station in downtown Athens. The train was packed with it’s usual proportion of locals, tourists, and pickpockets. It was hot, airless, and odoriferous to distraction.

Bob and I had been separated by a force from behind as we boarded the car in a crush of bodies. The power behind the force stood between us: two large men in their thirties. I had one hand on a ceiling strap, the other protectively clutching a cheap-looking canvas bag on my shoulder, which perfectly disguised my laptop. My purse hung low and appeared vulnerable.

The fingers tugged gently, but I knew it was futile. I had tied a small knot in the leather cord of the drawstring bag. I allowed the man to try solely to confirm to myself that he was what we suspected him to be.

Pickpockets on trains

Bob and I had watched these two on the platform. They were neatly dressed, clean-cut, and spoke Russian. They stood apart from one another as if they weren’t together. Their behavior on the platform made them suspects. When an uncrowded train came and they didn’t get on it, they were as good as guilty in our minds. Then again… we didn’t board that train either.

We squeezed onto the next sardine can and Boris and Igor (as I’ll call them) pressed themselves in behind us, then between us. Igor bumped hard against me, spinning me against my will as he orbited around me. Just a little self-serving do-si-do accompanied by a fleeting expression of apology as he positioned himself to his secret advantage. Physical contact was unavoidable in the over-crowded car. Against my forearm, I could feel Igor’s wrist twitching as his fingers played with my bag.

The two men looked everywhere but at me. As our favorite New York cop taught us, watch their eyes. They seemed to be making unnecessary head movements, looking here and there as if they had no idea what was happening down below and were not responsible in the least for any mischief their hands might do.

Igor didn’t mess around long. At the next station, he slapped his forehead in a pantomime of stupid me, I forgot!, and slipped off the train. Boris followed. Bob and I did not.

Then they surprised us: they reboarded the other end of the same car, enabling us to observe them. Although the Russian-speaking pair towered over the short Greeks and most of the tourists, our line of sight wasn’t perfect across the mass of passengers.

Igor looked at Boris and Boris looked away. They had sandwiched a woman tourist and separated her from her husband, just as they had done with us. This was their method of stabilizing the victim, of impeding her movement. The couple took it in stride though, and braced themselves with both hands against the jerking and jostling of the train as it sped to the next station. They were understandably oblivious to the intentions of their neighbors. But they were unacceptably oblivious of their belongings, their situation, and their vulnerability. We were dying to shout out, to yell pickpocket! It is our deepest urge and instinct to warn others of the danger we’re so aware of. However… however…

We didn’t. For the reasons we have and will further explain, we let the situation take its course. We reminded ourselves: we are researchers in the field, observing and documenting a specific behavior, and we use the knowledge we gain to educate many. Once again and with twinges of guilt, we refrained from interfering.

Athens’ green line is notorious for pickpockets. This convenient route is heavily used by tourists from Piraeus at the southern end, where ferries and cruise ships dock, to Thiseio for the Acropolis, Monastiraki for the Plaka shopping district, and Omonia Square, the city center. When these trains are crowded, and they frequently are, they’re pickpocket paradise. Thieves thrive on the forced physical contact, distraction of discomfort, and bodies hiding their dirty work.

Boris and Igor were swiveling their heads with exaggerated nonchalance. The train lurched into darkness for about three seconds. When it emerged, Igor lowered his sunglasses from the top of his head to his eyes. A got-it signal, we reflected later.

Still pretending not to know each other, they shoved impolitely through the standing crowd to position themselves against the doors. They were first to exit the train as the doors slid open, and they separated immediately, walking in opposite directions on the platform. The tourist couple was almost last to get off the train, so we jumped off also and caught up with them. We could see right away that the woman’s bag had been slit with a razor.

Why hadn’t those thug-like thieves sliced my bag? I knew they wanted it. Perhaps they thought the leather too thick, or they weren’t happy with their access or angle. Possibly the knot in my drawstring signaled my awareness of potential danger. Maybe they thought someone could see them, or their getaway would be hindered.

How to avoid pickpockets

Boris and Igor left me for someone else. It’s proof of the tremendous coordination of innumerable aspects required from the perpetrator’s perspective. So many factors must be in alignment before a thief will take a chance; so many conditions must be just right. With such a delicate balance necessary, it is not difficult to throw a monkey wrench into the thief’s equilibrium. Eliminate one or more of the elements he requires, and he’d just as soon move on to an easier target with a higher likelihood of success.

Excerpt from Travel Advisory: How to Avoid Thefts, Cons, and Street Scams
Chapter Six: Public Transportation—Talk About Risky…

Riding Mumbai trains—amazing

We bought second-class train tickets (for our thiefhunting) and rode the most crowded Mumbai trains ever. No—you can’t imagine how crowded. Speeding into the stations, people jump off before the trains even slow down. But more amazingly, they leap on, right through the mobs waiting at the doors, before the trains stop.

I panicked the first time I experienced this, standing among the masses at the open door ready to get off. Like salmon swimming upstream, men lept on—like iron filings attracted to a magnet, against gravity. And once the train stopped, it was too late. Everyone else had hopped off and I was buffeted and spun in the doorway by men desperate to board. Only uncharacteristic aggression got me off before the train pulled out again.

Mumbai trains are mind-blowing

The behavior of Mumbai train commuters is a consequence of the efficient trains which stop very briefly at the stations; huge, huge mobs pack the platforms, and the men hope to get a seat for their long commutes. The benches in second class hold three men each, but four squeeze onto each. They alternate leaning back. Two more commuters stand between facing benches among the many knees. Everyone seems to permit and accept the squeezing. There is no “personal space.”

I’ve spoken only of men because most women and children ride in the ladies’ cars. In fact, I didn’t see a single other woman in the many second-class cars I rode all week. I was told though that the women are also aggressive about boarding during peak commute times. They can’t match the men, I’m sure.

Dadar Station is one of Mumbai’s busiest, but as it’s totally off the tourist track, you will likely never experience the huge madhouse that it is. Crossing over the rickety pedestrian “flyway” over the tracks and platform, we happened to see the awful scrum of getting-on-versus-getting-off from directly above. We were awestruck, and stayed to film the next train. Have a look:

We meandered through the enormous flower market in the streets and underpasses around Dadar Station. It was evening commute time when we were ready to go back to our hotel in Colaba. Bob and I stood on the platform in the middle of the pushing-fighting-desperate-madness. Bob filmed the scene while being knocked around like a punching bag. In the relative calm between two Mumbai trains a man next to us found the shoes he’d been pushed out of. “I can’t do this,” I said as we let a couple more trains come and go. Bob said “come on,” and grabbed my hand. Then we were in the middle, trying to board through a flood of debarking passengers, then pushed from behind with nowhere to go in front and the train about to move whether people were on, half on, hanging on, or whatever.

Obviously, we made it.

More on Mumbai: The best beggar family. The flowerhead market. The pickpocket. The swami. The slum visit. The rooftop chairs.

bombay crowd India mumbai train train station

Oktoberfest: Breasts, big beers, and Bavarian barf

Women wear dirndls: long or mini; racy or demure; traditional, sequined, or alt.

Called in to pickpocket goodies from the massive Munich Oktoberfest crowd, Bob and I, just back from Japan to do a show for Monsanto in Las Vegas, raced to catch the last two days of the bawdy Bavarian festival. (Tokyo, Vegas, Munich in five days. Thank goodness for business class.)

Bleary-eyed, we were surprised to find the RTL TV Extra crew at the airport, cameras rolling. They whisked us straight to the heart of the party for 8 million, pausing only to slip Bob into lederhosen. Most people there wore traditional costumes: men in lederhosen, women in dirndls.

Big big beers and Bavarian barf. Drinking starts 10am. Beers are a full liter. By noon, people are doubled over and hugging trees.

It was noon, and the revelers had been drinking since 10 a.m. Some stumbled along, supported by friends. Others sat on the ground, heads in hands. No wonder: beer is sold by the liter mug and the whole idea is to drink as much as possible. The gutters ran with pee and puke.

Make room for another beer: lederhosen: made for easy peeing.

Right away Bob and I noticed “suspects”—probably pickpockets, in our opinion—scanning the crowds. Time was short though; Bob was supposed to steal from sober partiers. No time for thiefhunting. We stood on a grassy slope among the sick and sleeping, the singing, the happy, the tired. A man lay sprawled face down at our feet, right arm extended clutching his cellphone like a torch, like a fallen statue.

“Let me have this one,” our producer said with a wink. He bent and slipped the phone from the man’s grip. Too easy. Unable to rouse the plastered guy, we finally stuffed the phone into his back pocket and considered it safer than it had been.

Bob and I surveyed the mob, looking for likely marks. We had a to-do list of items to steal; and we hoped for victims who’d be good for television. We didn’t want the type who’d punch Bob in the face if they caught on— granted, though, they’d be great for television.

The failed wrist-cam hinders Bob's movements and misses the steals no matter how it's mounted.

In preparation for this challenge, our special cameraman, Frank Jeroschinsky, built a fancy “wrist-cam,” a lipstick camera he strapped to Bob’s arm with a cord that ran up Bob’s sleeve and into a backpack, where the recording device was stashed. The device was meant to capture the steal as Bob’s hand entered a purse or pocket. We didn’t have the heart to tell Frank how many cameramen before him had rigged similar set-ups. Bob just ran through the tests and trials and Frank saw for himself the disappointing results.

Interesting to watch the regimented Germans let loose. As we mingled, futilely trying to blend in, we saw heaps of humanity crumpled on the ground, and those attending to them. A policeman tried to rouse a man splayed on a sidewalk. A first aid team huddled around an unconscious body. Friends supported friends as best they could.

Roving red cross wheel the sick away on stretcher wagons with yellow vinyl tent covers for privacy, window in vinyl for light.

Before Oktoberfest was over, Munich police had arrested more than 80 pickpockets. They had come from many surrounding countries, as expected. A more inviting gathering for thieves cannot be imagined. Celebrants with traveling cash flooded in from all across Europe and beyond. Flocks of Russians had flown in. Grassy parking lots were lined with hundreds of buses from Italy, Czech Republic, Spain, and more.

Pissoir optional. I was told even women skip the loo queues and use a tree.

Expecting a flood of pickpockets from Romania, authorities had also imported a special team of Romanian police.

Poor guy lost his head. Simultaneaous puking & peeing.

What struck me among all the drunk and sick and out-of-control partiers was the overall peacefulness. In two long days I didn’t see a single fight, didn’t hear shouts, insults, or curses.

Jan, the sweet cameraman always in the right place, uh—'lost' his wallet during the shoot.

Beer-garden veg-free dinner: crispy roast duck, pretzel w/ cheese & onions, beer too heavy for me to lift one-handed. No, couldn\'t finish it. Sample prices: beer, â‚¬8. hotel wifi, â‚¬17. Half a duck with nothing else, â‚¬25.

Fish-on-a-stick. Steckerlfisch grill over fires in long rows.

Bob Arno in lederhosen, pickpocketed the Oktoberfest crowd for German RTL TV 'Extra.'

RTL Television’s Extra segment was broadcast the evening of October 5 to a 27% audience share. 17% has been their maximum, so it’s considered a huge success. Although it’s not officially online, we expect to get a copy of the piece shortly. Perhaps we’ll upload it. If so, I’ll link it here.

Bob Arno crowd pickpocket steal tv

The proliferation of Barcelona’s living statues

Ramblas\' living statues apply their make-up on-site. — Ramblas' living statues apply their make-up on-site.

Adrian has been a living statue on Barcelona’s Ramblas for two years. He was a chef in Romania before, and part owner of a small hotel. But economic opportunities are greater for a statue; or they were, before major changes were instituted about two months ago.

No one needs a permit to be a statue on La Rambla, but there are rules and regulations. The statue must design and make an original costume. And the statue must be still, moving only to reward contributors to the hat.

Living statue: Electric Man used to use pre-existing crowds, collecting coins from diners in Ramblas cafes. — Electric Man used to use pre-existing crowds, collecting coins from diners in Ramblas cafes.

Performance artists are no longer allowed on La Rambla, because they often draw large crowds of spectators. The crowds attract pickpockets. Pickpockets can easily steal from a stationary, distracted victim who expects others to crowd in behind him.

This is a good theory, in general. In practice, many a performer fails to draw a crowd, and quite a number of statues have learned to do so. But there may be something to the new initiative.

It’s not a fair comparison, but I’ll compare anyway. In three days of walking La Rambla last week, Bob and I saw very few “suspects;” i.e., characters we deem worth watching due to suspicious behavior. Quite unlike our previous observations five months ago. See Barcelona Street Crime Today and the articles linked within it. Granted, it was pouring rain two of those days last week. The few brave souls out in the weather wore raincoats or jackets that made pocket access difficult. Anyway, the pickpockets stayed home. Not that rain always stops them! Our third day of tramping the tourist trail was mostly morning hours. This too, is not prime time for thieves.

Living statues. Rain doesn\'t always stop the thieves. There were five, though you can only see two here. — Rain doesn't always stop the thieves. There were five, though you can only see two here.

Even including a few afternoon hours, the avenida was quiet, perp-wise. Sure, the three-shell pea gamers were out, and we saw one pea crew under arrest, waiting for transport. But the population of thieves has moved on. Not far, I’m sure, but off the main drag.

And while the thieves are fewer on La Rambla, the living statues have proliferated. In some prime areas, near mcDonald’s, for example, and at the intersection of Portafarissa, barely six feet separate the statues from one another, six or seven of them in a row.

Living statue Adrian on a smoke break. — Adrian on a smoke break.

While some stand dejected, others have mastered a certain glint in the eye, a beckoning dare: “want to see what I do? Drop in a coin!” The plastic bottle man rarely stands still. The green fairy’s fingers are constantly coaxing passers-by nearer. The black horned creature has enormous curved wings, which he swivels to hide his face from photographers until he gets a coin. The toilet man makes faces. I’m pretty sure that the Michael Jackson statue is the same guy who used to do impressions at the bottom of La Rambla. He used to get huge crowds, and probably pretty good money. Now he stands frozen in costume, bucket begging, but not terribly enticing. His huge talent is wasted here. People walk on by.

Living statue — This creature doesn’t always wait for a coin. It moves, illicitly, startling passers-by in order to attract viewers.

One creature, a strange head resting low in a pile of blue satin, manages to get huge audiences. Like a jack-in-the-box, the head pops out of the fabric with a a growl and a shout, its single hand gesticulating wildly. The crowd screams and backs up, leaving a wide berth around the unpredictable danger. Strange, since it’s fairly obvious that the performance artist is crunched up in a box, non-ambulatory. Anyway, the spectators’ noisy appreciation attracts others to the circle, and the crowd grows.

The difference between the large crowd surrounding the head-in-the-box, and the crowd that surrounded the Michael Jackson impersonator, is an important one to the pickpocket. The head-in-the-box has a limited repertoire, and therefor cannot hold a crowd. Michael Jacksonesque performed many songs, holding his audience and giving the pickpockets plenty of time to select a mark and do their dirty work.

People walk right past living statue Michael Jacksonesque, who was previously compelling with music and motion. — People walk right past Michael Jacksonesque, who was previously compelling with music and motion.

Adrian, who stands statue-still then poses for pictures for whatever coin he’s thrown, is in one of those concentrated rows of statues. Beside him is a magician, from Romania, like Adrian. The magician, wearing an ordinary black suit and white shirt, has a bit of a crowd around him. He’s performing with a trick rope, a black-covered book under one arm. He appears nervous, looking up and down the street. When he suspects police are near—perhaps he’s signaled by someone—he steps onto a small, low platform, flips open his book, and stares at it. Poof: a statue.

Adrian’s disgusted by the magician’s cheating way. He empties the small coins from his money-box as he complains about his neighbor. He says the tricks are lousy, just purchased things, performed without soul. Yet the magician gets crowds and Adrian doesn’t. Adrian tips his box and I see that a few one- and two-euro coins are glued to the bottom.

Adrian claims to get eight to 15 euros in his best hours. The magician gets more, he admits, and that makes Adrian mad. Still, he works the hours he wants to work, takes off when it suits him, and is able to send money home to his wife and two daughters.

It’s easy to see that the most interactive statues, those with the best costumes, those whose photos are most sought, make more money than the passive ones. Adrian said the best make 40 to 50 euros in a good hour.

The clowns make even more: 50 to 60 euros per performance for the best one, according to Adrian. Of course they no longer work on La Rambla either.

The city seems to be on to something. Or maybe it’s just a temporary lull. Time will tell. Bob and I will report later.

Barcelona crowd spain street crime street entertainment Thieves