The flower gift lift—Part 3 of 3

All these photos are framegrabs from video; not very high-resolution. Here the victim watches as the thief, in front of him (in a gray-striped shirt) puts her hand in his pocket. In the background, another Clavelera (in gray sweater) conducts another theft.
All these photos are framegrabs from video; not very high-resolution. Here the victim watches as the thief, in front of him (in a gray-striped shirt) puts her hand in his pocket. In the background, another Clavelera (in gray sweater) conducts another theft.

The Offer of a Flower is a Foil for Filching

Palma de Mallorca, Spain— Bob and I trailed a trio of young women through Palma’s shopping district. Working separately but near each other, they halfheartedly approached a seemingly random selection of meandering tourists. Most ignored the women’s overtures, but one amiable couple paused with interest.

Bob filmed the scene and I alternated between watching the scam and watching Bob’s back. He was balancing a huge camera on his shoulder and I carried the ponderous tripod and brick-like battery. Neither of us could hear the exchange, if there was one, but the con artist must have made her desires clear. The male tourist had his wallet out, then replaced it in his front shorts pocket. Bob and I could see the pocket from where we stood, behind him. As we watched (and filmed), the con woman reached across the man and put her hand into his pocket! She made no particular effort to disguise her move, and the man reacted not at all. How brazen she was, and how trusting was he. How well she read him.

Bad photo, but I like the action.
Bad photo, but I like the action.
Remember this face.
Remember this face.

Suddenly, I was roughly pushed. I had failed to notice that one of the thief’s partners had observed our camera focused on her teammate. She raised her hand to push away the camera and I blocked her with my arm. Her fist crashed down on my wrist, breaking my stainless-steel watchband.

“No photo!” she shouted.

Now Bob swung around and looked at the woman through his lens.

“No photo!” she yelled again, and ineffectively waved a tissue at the camera. Then she swiveled, bent, and rose in one fluid motion, and hefted a massive rock. In a classic pitcher’s posture—or was she about to throw like a girl?—she aimed for the camera lens. A frame captured from the video makes a lovely portrait of her, rock poised in one hand, dainty bouquet of carnations in the other.

Wound up and ready to smash our camera, she bared her teeth and raised one foot.

“Hey-hey-hey!” commanded a male voice behind us, or something to that effect in the woman’s language. A cloud of dust rose and the earth shook as her boulder plunked to the ground.

With a sneer, the would-be destroyer turned and rejoined her companions, who had just finished their scam. Bob and I caught up with the victims.

“First they pretended to give us the flower,” the woman said cheerily, “but then they asked for one peseta.” She and her husband were both smiling, amused by the bold stunt and pleased to be interviewed.

“When I gave her some money, she gave it back,” the husband cut in. “She said no-no-no. And she put her hand in my pocket and the hand came out. I only lost 400 pesetas.”

That explained their jovial mood.

The Massies, British tourists, happily fall for the scam.
The Massies, British tourists, happily fall for the scam.

Palma de Mallorca has long been a favorite holiday destination for Germans and Swedes, and for Europeans in general. Many British retire to Mallorca, or have second homes there. Ferries bring daytrippers from mainland Spain, and cruise ships regularly dump sightseers by the thousands to bask in this balmy Spanish paradise. Its beaches and nightclubs are a perennial draw, and have been long before the spotlight hit Ibiza. Low-lying criminals, too, are attracted to Palma’s easy-going lifestyle and laid-back law enforcement.

“Claveleras, that’s all we do!” one of Palma’s police officers told us in exasperation. Clavel means carnation; claveleras are the thieves who use them. The police officer had stopped us from filming an incident at the claveleras’ request.

Bob's filming brazenly, from over his head. The thieves jump at the camera, then threaten me. The Massies look on, baffled and unaware that the women are thieves.
Bob's filming brazenly, from over his head. The thieves jump at the camera, then threaten me. The Massies look on, baffled and unaware that the women are thieves.

“Why do you protect them?” I asked the cop. “They’ve been here for years!”

“It’s not possible to arrest them,” the officer said. “They only took 200 euros. It’s not enough. They must take 300.”

“But they’ve been doing this for years! It’s ruining Palma’s reputation.”

“Yes. I know all of them. Their names, their addresses.”

“Then why don’t you let a tourist,” Bob said, “like me, put 400 euros in his pocket, let them take it, and then you can arrest them.”

The conversation circled unsatisfactorily, revealing firewalls between politicians, law enforcement, journalists, tourist bureau, and the unfortunate tourists. We, like the police, threw up our hands.

After all the commotion we cause, the women snatch the carnation away from the Massies.
After all the commotion we cause, the women snatch the carnation away from the Massies.

We met Douglas and Evelyn Massie outside the fortress, yet another pair of British victims. Their nemesis was a young woman, perhaps in her 30s, who wore track pants and a jacket—an updated wardrobe.

“Would you like to go to the police station?” we asked them. “You won’t get your money back, but a police report might help you with a claim to your insurance company and we’ll translate for you.”

Another clavelera thief who doesn't like her picture taken.
Another clavelera thief who doesn't like her picture taken.

At the police station we were perfunctorily handed a poorly-photocopied theft report form in English. Heading the list of common M.O.s was “woman with carnation.” The Massies duly Xed the box while Bob and I marveled at a system that could officially acknowledge and simultaneously condone such activities. After all, we’d observed this swindle for ten years: same women, same technique, same locations.

A tattered photo album was put before the Massies without comment. Page after page of female mug shots stared up from under plastic. There was the grandmother gang, and there a pair of tall sisters we’d watched. There was the Massies’ snaggle-toothed tormentor and there, grinning wryly, was our infamous rock thrower.

Our rock-thrower's mugshot is at the upper right.
Our rock-thrower's mugshot is at the upper right.

The Massies huddled judiciously over their theft report and laboriously printed out in block letters a story that would likely never be read.

But their tale will be told—by the Massies and by thousands of people who have had the good fortune to visit Palma. The story begins: There was an old woman, who gave me a flower…

This is Part 3 of The Flower Gift Lift. Read Part 1   —    Part 2

Excerpt from Travel Advisory: How to Avoid Thefts, Cons, and Street Scams
Chapter Seven: Scams—By the Devious Strategist

© Copyright 2008-2009 Bambi Vincent. All rights reserved.

The flower gift lift—Part 2 of 3

The claveleras use whatever aggression is required to give their flower gifts.
There's a victim for every thief. Two claveleras have their backs to the camera.
There\’s a victim for every thief. Two claveleras have their backs to the camera.

Palma de Mallorca, Spain— Thirty to forty women practice this form of filching every day in Palma. They linger where the tourists are: around Palacio Almudiana in particular, and in the small cobblestone streets around Plaza Mayor. The women perform one-on-one, but they work in groups. We see them walk “to work” in gangs of six or seven, gossiping merrily along the way. As they approach their territory, they don their “uniforms,” tying dark aprons around their waists, scarves on their heads. Many are younger women, in their 30s, 40s, and 50s. The youngest eschew the scarves and, instead of aprons, tie jackets around their waists, keeping the pockets available.

At Palacio Almudiana, we planted ourselves at the end of an elevated walkway to the Moorish fortress. We had a JVC professional video camera on a tripod that day—a huge, heavy thing—and with its long fine lens we could film close-ups unnoticed at a distance.

From around a corner at the far end of the stone walkway appeared a group of six men—German tourists, we later learned. Happily oblivious, they had just toured the fortress. As they turned into the otherwise empty walkway, five women from the morning babushka brigade rushed after them, literally running, with heavy, effortful steps. The eldest woman found a victim first, grabbing the arm of one of the men and roughly poking a flower into his shirt. As she began her swindle, her colleagues, all four of them, attached themselves to four others of the men. In a jolly, holiday mood, the men allowed the women’s aggressive physical appeal without suspicion.

Examining their wallets, the men tote up the damage.
Examining their wallets, the men tote up the damage.

It only took about two minutes. One by one the men broke free, some wearing red carnations, some not. As they sauntered towards us on the walkway, folding and replacing their wallets, the five women regrouped behind them and disappeared around the far corner. Bob stopped three of the Germans.

“Did you lose any money?” he asked, without explaining what we’d just witnessed.

“And why would we?” one of the men challenged.

“I saw you with some thieves,” Bob said. “Count your money.”

All three brought forth their wallets and checked their contents.

“Fifteen thousand pesetas—gone!” one of them shouted. That was about U.S. $85 at the time.

“They got twenty-five thousand from me,” said another, “and now I realize how. She said she wanted a peseta and I tried to give it to her. But she returned it and now my money is gone.”

“I was pinching the wallet like so,” the third man explained smugly. “She wanted to get into the wallet, but I didn’t let go. I have all my money.”

The claveleras use whatever aggression is required to give their flower gifts.
The claveleras use whatever aggression is required to give their flower gifts.

We filmed numerous encounters by this gang and by others, in this location and around the town, on this day and over the course of ten years. Without speaking to each victim, it’s impossible to state the percentage of these thieves’ success. Even the victims aren’t always certain whether or not a few bills have been taken, or how much money they started with. Only the thieves know for sure. Clearly, it’s a worthwhile game for them.

In one brilliant piece of footage, several women can be seen earnestly engaged in their one-on-one scams. We pan from one encounter to another, close up. One of the women is seen “closing her deal,” pushing her left fistful of flowers against her opponent’s wallet. As she steps back, apparently satisfied, she loses her grip and money flutters to the ground.

The victim and thief both notice, one puzzled, the other disgusted.

In another scene, an Asian visitor smiles delightedly when a bright red carnation is tucked into his shirt pocket. The old woman, dressed in black from head to toe, raises one finger. One peseta, she requests. The tourist withdraws his wallet and offers a bill, still smiling. Taking the money, the woman raises her finger again, then returns the bill. As the Asian tourist replaces his money, the thief moves in on his wallet and a subtle battle ensues. The man’s expression begins to shift from pleasure to perplexity, then consternation. The woman, defeated, snatches back the flower and moves on.

This is Part 2 of The Flower Gift Lift. Read Part 1 — Read Part 3

Excerpt from Travel Advisory: How to Avoid Thefts, Cons, and Street Scams
Chapter Seven: Scams—By the Devious Strategist

© Copyright 2008-2009 Bambi Vincent. All rights reserved.

The flower gift lift

Pickpockets with flowers
Pickpockets with flowers; Claveleras are thieves with flowers.
Claveleras are thieves with flowers.

Pickpockets with flowers

Palma de Mallorca, Spain— She looks like your grandmother—possibly even your great-grandmother. With a gap-toothed smile, she offers you a single red carnation. Wordlessly, she pokes its short stem through your buttonhole. Is the old woman an unofficial ambassador of this island resort town?

“One peseta,” she pleads, or “one cent.”

Her black skirt and apron make you think of “the old country,” wherever it was your family began. Her simple cardigan sweater, dingy and pilled, gives her plump body a cozy look, a familiar look. Wisps of gray hair have escaped from the babushka tied tight beneath her chins. She is the image of trust.

The foreign coin she asks for is less than nothing to a tourist. Why not? You smile. You open your wallet, extract a small note.

Grandmother springs to action. “No, no, no,” she says urgently, as if you’re giving too much. Is the flower a gift, then? Or does she want a donation? What is she trying to communicate with such concern creasing her forehead?

She reaches for your wallet, points to your money, touches it. Whatever language you speak, she doesn’t. The international symbol for “this one” must do. Sign language and monosyllabic utterances.

Pickpockets with flowers; A bunch of flowers and a newspaper hide her theft from the victim.
A bunch of flowers and a newspaper hide her theft from the victim.

Without words, grandmother is trying to convey something. Her hands are fluttering around yours, pointing, tapping, hovering. A small bunch of red carnations is in her left fist and their spicy fragrance is intoxicating as she waves them around.

You’re focused on your wallet, your money, the old woman’s hands. What is she trying to tell you? If you’d look at grandmother’s pallid face, you’d be surprised to see such fierce concentration, such tension and determination. But you don’t look. She’s pointing, tapping. What is she trying to say?

She gives the bill back to you and you put it away. “Altra,” she insists. Finally, she taps a bill half exposed in your wallet. It’s the same one you offered in the first place! Her eyes flick up to yours for an instant. Permission sought and granted. With thumb and forefinger, the old woman removes the bill, nods her thanks, and pushes on the wallet with the bouquet. Put the wallet away now, is her implication. We’re finished.

Her last glance lacks grace, lacks the kindness you’d expect from a welcome-woman. Oh well… it was a small donation.

Or was it? It may be hours before you realize the old woman’s expertise.
With incredible skill and speed, she has dipped into your cash, snagged most of the bills, and folded them into her hand. She never takes all the notes—you’d notice. But most of them have been hooked around her third or fourth finger, expertly manipulated under the flowers, and hidden in her fleshy palm.

She’s a one-trick magician, a walk-around performer who needs an audience of one. And her audience-participation act leaves many a disbelieving assistant in her wake. I need a volunteer, she may as well have said. Hold out your wallet and I’ll show you a trick. She needs no applause; her reward goes into her apron pocket.

This was only part one. Read Part 2.

Excerpt from Travel Advisory: How to Avoid Thefts, Cons, and Street Scams
Chapter Seven: Scams—By the Devious Strategist

© Copyright 2008-present Bambi Vincent. All rights reserved.