“They’ve bugged our room,” I postulated to Bob in the taxi from the airport. “I bet they hid video cameras inside.” That aspect of shooting a documentary hadn’t occurred to me.
Our hotel is a former monastery carved into a hillside. With an outrageous view, it overlooks the entire city we’ve come to infiltrate. It’s a pleasing dichotomy: after years of sweaty skulking lowdown among the gritty streets, we now look down on the calm innocence of colorful rooftops which belie the commotion of the city and its criminal activities.
We opened the door of our room to find its lovely decor largely hidden behind draped cloths, booms, electrical cords, and extra light fixtures. The room’s chandelier was wrapped in pink gel (colored cellophane used to alter theatrical lighting) and cloaked in black fabric studded with clothespins. The bedside sconces were half-covered with foil. The ambiance of the room was pretty much destroyed.
The crew followed us in for a few arrival shots and immediately dismantled much of the equipment before leaving us in privacy. As soon as the door closed and we were alone, I got up to sweep the place for hidden cameras. Is that one in the middle of the gilt scrollwork of the sconce in the dressing area? What about the handles of the closet door? Behind the translucent panel covering the electrical fuses?
Entering the bathroom I stopped dead in my tracks. The ceiling lights were gelled. In the bathroom! What shots do they need in the bathroom? Nobody’s talking. At this point, we still don’t know.
This is Part 3 of THE MAKING OF OUR NATIONAL GEOGRAPHIC DOCUMENTARY, PICKPOCKET KING. The film is about us, Bob Arno and Bambi Vincent. We are “thiefhunters in paradise.” The paradise we chose for the story is the warm and wild city of Naples, Italy, home to the world’s best pickpockets. The documentary premieres December 2 at 8pm ET/PT on the National Geographic Channel.
—Originally posted 9/11/10 and soon thereafter password-protected at the request of the producer.
That was one of the first sentences directed to me upon landing in our location city. We did not collect our luggage because it didn’t arrive. As we came out of the airport, our film crew was waiting. We did not make the expected dramatic appearance pushing a mountain of aluminum cases on two trolleys. It was just us, dragging our carry-on.
The soundman needed to mic me in the airport lobby. With exquisite courtesy in his accented English, he inquired about my undergarments. He needed a sturdy mount for the mic.
It took two hours to rig our taxi with cameras and lights. You think a documentary is just a camera following the action, but the action must be lit and wired for sound.
Our film director hinted of some sort of surprise to be found inside our hotel room. The room and hotel are gorgeous, we were promised. But whatever it was that we’d find in the room was left intentionally ambiguous.
There’s a lot about this project that’s ambiguous, or at least unknown. We know what we’re looking for and we know what resources and how much time we have for the search. But we don’t know what we’ll find. We’re meddling in a criminal subculture and can’t predict the reaction we’ll elicit from the thieves. And what about their bosses? If we’re poking into organized crime—and we believe we are—will the bosses feel threatened? Will they be angered? Or will they just smirk and laugh at us?
This is Part 2 of THE MAKING OF OUR NATIONAL GEOGRAPHIC DOCUMENTARY, PICKPOCKET KING. The film is about us, Bob Arno and Bambi Vincent. We are “thiefhunters in paradise.” The paradise we chose for the story is the warm and wild city of Naples, Italy, home to the world’s best pickpockets. The documentary premieres December 2 at 8pm ET/PT on the National Geographic Channel.
—Originally posted 9/10/10 and soon thereafter password-protected at the request of the producer.
Day 1—TIME TO MAKE an announcement. Our long-dreamed of, long-worked-for project has become reality. Bob and I are making a documentary about pickpockets. The shoot starts now! We have an incredible team, and backing us is National Geographic, the fantasy of any serious documentary-maker. And we have a film director, Kun Chang, whose passion and persistence has been the engine of our project for more than four years.
Bob and I have been on our feet countless, endless days, for the past seventeen years in pursuit of pickpockets. We find, follow, and film the thieves, talk to them, and interview them. Dropping into the most fabulous locations of the world, we give short shrift to museums and monuments, and instead lurk among the tourists, preying on their prey. In the name of research, we people-watch. We’ve slowly acquired better and better video equipment, and a massive archive of crime footage.
Time to do something with it.
We’re on location now in a European city we chose for the main filming of our documentary. Over the next numerous posts, I intend to share the excitement, successes, and surprises of our journey as we dive ever deeper into the world of pickpockets. I don’t mean to be coy if I only hint of tantalizing details; certain aspects are contractually unmentionable until broadcast.
This is Part 1 of THE MAKING OF OUR NATIONAL GEOGRAPHIC DOCUMENTARY, PICKPOCKET KING. The film is about us, Bob Arno and Bambi Vincent. We are “thiefhunters in paradise.” The paradise we chose for the story is the warm and wild city of Naples, Italy, home to the world’s best pickpockets. The documentary premieres December 2 at 8pm ET/PT on the National Geographic Channel.
—Originally posted 9/9/10 and soon thereafter password-protected at the request of the producer.
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If you don’t know what a pickpocket looks like, or how they distract you to steal your stuff, this book is for you. The ebook has 60 color photos, most of which are portraits of thieves.
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• Why we’re such easy targets, and what to do about it;
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• How greed will get you every time;
• And so much more.
All the goodness of the 250-page hardcover edition has been reduced to weightlessness and improved with color images and clickable links.
From the reviews:
“Each chapter of this book, standing alone, would be worth the price of the book.”
“The bad guys are very, very good. This book shows how to make sure that they practice their arts on some other poor sucker, and not you.”
“This book is a must-read for anyone travelling further than their front door.…Moreover, it’s also highly entertaining, and in places, very funny indeed.”
“So, do yourself a favor before you travel: get a copy of Travel Advisory. When you consider the cost and stress and inconvenience of a stolen bag, it could easily be the best few bucks you spend.”
“I, too, was a victim of Barcelona street scams…” said more than a hundred people. And they described their own thieves, con artists, fake beggars, purse snatchers, scammers, fraudsters, pickpockets, and thugs. The page, Barcelona Scams, is riveting reading!
My great friend Terry Jones has just packed up his Barcelona life after 15 years of loving life in that great city. While he’s moved on to exciting challenges—he’s starting up FluidInfo—everything he’s acquired in Barcelona had to go. Along with about 3,000 books, he parted with his collection of Barcelona street scams. He gave them to me.
We met though thiefhunting about ten years ago. Terry describes the odd convergence of our ancestral histories here. While Bob and I go looking for thieves, Terry doesn’t make any special effort as a thiefhunter. He’s simply observant. He sees scams and cons all around him (and you).
Barcelona Street Scams
Have you been to Barcelona? Were you pickpocketed or hustled out of money? Tricked, conned, or scammed? If so, did you report it to the police? (I’m asking for survey purposes.) Take a look at Barcelona Street Scams. Add your own Barcelona street scams to this page. Just scroll down to the comment section below. And please do mention whether or not you bothered with a police report. And if so, how you were treated by the police.
Thank you for sharing your Barcelona street scams!
The lawlessness of Naples stunned us all. Even Bob and I, who have been there many, many times, were newly amazed at the reckless race of vehicles.
“They say the traffic lights are merely a suggestion,” our Roman driver laughed as he pulled to an abrupt halt. “Here we are.”
We had only a morning to shoot the scene and, as we hadn’t made an appointment with the con men, we’d need luck as well as efficiency. Would they be working? Would we find them on the corners we know of? Would there be any ships in port, full of potential suckers? Bob and I felt the pressure. We’d brought a network news crew all the way to Naples with no certainty whatsoever.
By 9:00 a.m. we were rigged and ready. Bob directed our driver to park at the ferry terminal, where hydrofoils depart for Capri. A small cruise ship was just tying up. That was a good sign.
I banished Bob to the wrong side of the street. Since we had brazenly filmed here several months before, it was possible they’d recognize him. No visible video cameras, we specified, or they’d never offer the sale. We must all be extremely cautious because we don’t know how an angry Napolitano crook might react. Neither do we know if any of the others loitering on the corner are their thugs. What we do know about is the proliferation of mafia gangs in Naples, their turf wars, and their violence.
From the maritime terminal parking lot, we observed the opposite side of the street with binoculars. A large news kiosk hulked on the corner, open for business as usual.
ABC 20/20’s investigative reporter Arnold Diaz and I crossed to the corner where we hoped to find our prey, who’d hope to prey on us. The rest of the crew trailed us at a distance. First we paused at the news kiosk. With hundreds of magazines on display, it would be good for at least ten minutes, time in which we could scrutinize the characters who hung around. Most were selling knock-off watches and showed their wares eagerly.
I noticed two scooters parked on the sidewalk. Both had roomy, lockable storage bins perched on the back. Aha! These, I knew, were where the con men kept their props. Another good sign. Of course, scooters are everywhere in Naples; these could belong to anyone.
Arnold and I moved halfway down the block and examined a shop window full of watches. Our corner seemed quiet. Other than fake Rolexes and cheap leather jackets, there were no deals to be had. Perhaps it was too early. We ambled back toward the magazine stand, wishing for a proposition.
“Cellphone?” A middle-aged man held out a shiny new-model Nokia. “Try! Call your home. I sell cheap.”
“Really? I can try it?” Arnold looked around to be sure the camera crew was in position. “How do I call America?”
“I don’t know, better call Italy,” the man said.
“I don’t know anyone in Italy,” Arnold said. “But it works? I believe you.”
After a little negotiation we settled on a price. $200 for two cellphones. “We can call each other, honey!” I said to Arnold, as he counted out cash. He counted slowly, giving Glenn Ruppel, our segment producer, and Jill Goldstein, our hidden camera expert, time to move into position to catch the switch. The two looked so completely innocent, standing there against a shop window, not ten feet from us. Glenn’s eyes roved everywhere as he pretended to be in an intense conversation on his cellphone. Jill seemed to be bored waiting for him. She looked down at her sneaker, turning her foot a bit as if examining the shoe. In fact, Jill was not looking at her shoe. She was looking into a hole cut in the top of her fanny pack, in which she had a video monitor. Jill had hidden button-sized cameras in the side of her clothing, in order to face away from the action. With the monitor, she could check that she was positioned correctly. Bob was across the street, watching the same scene he’d seen so many times before.
The salesman put the two phones in a box and looked around for his colleague, who came trotting over with transformers. They added these to the box, closed it, and put the box in a translucent plastic shopping bag. The salesman tied a tight knot in the bag.
Arnold handed over the money.
“Have you visited the castle?” the salesman asked, and pointed across the street to the thirteenth century Castel Nuovo. His English wasn’t too good, but he got his point across. He pointed, and our eyes couldn’t help but follow his broad gesture. In that instant, we knew, he and his accomplice swapped bags.
“Did they get it?” Arnold asked me. I glanced over at Glenn, still rapt in his phony phone conversation. He waggled one hand. What does that mean?! Sort of? A little? Don’t know? What to do now? We couldn’t very well back up and replay the scene. Arnold took the knotted bag and the deal was done. There was no hand-shaking.
Grinning, Arnold immediately began to untie the bag. The salesman and his colleague, watching warily, hurried away. Arnold tore open the box and looked inside. A water bottle. No cellphones.
“Hey!” he shouted. “Come back! Stop!”
The two men jumped onto their scooters and roared off into the crazy Naples traffic.
The five of us reconvened.
“Did you get it?” Arnold asked eagerly.
“I don’t know, we’re not sure.” Jill and Glenn said.
“Why don’t we try to interview a police officer,” Bob suggested. “They’re all around us. Let’s see how they react when we show them the water bottle.”
“Good idea,” Arnold said.
We walked across the street to the passenger ship terminal, where we thought there might be a chance of finding an officer who spoke a little English. No luck, but with Bob’s mixture of languages and the water bottle in the box as evidence, they understood perfectly.
“Allora,” the officer said, and threw up his hands. It was the all-purpose Italian expression that here, now, meant: idiots! you get what you pay for!
Our friend Russell, a magician, works a considerable amount of time each year in Asia. A streetwise New Yorker, he knows pretty much all the tricks played from the East Coast to the Far East.
Russell was in Bali recently, between jobs. He was on a bus crowded with tourists when traffic ground to a halt. The morning was sweltering. Windows were open. Occasional clouds of dust wafted in, more welcome than rain, which would force the closing of windows and bring the interior humidity to Beverly Hills spa levels.
As traffic slowed, then stopped, a raging hoard of pleading faces surrounded the bus. Vendors reached up to the open windows offering their wares. Wood carvings, silver jewelry, and stamped batik sarongs danced in the windows like props in a puppet show. Vendors had only desperate moments to tempt these tourists before they and their dollars vanished down the road.
Always a sucker for souvenirs, Russell scrutinized the merchants, looking for something new. He was not disappointed. He noticed an intricately carved something glowing in the sunlight as its hawker flourished it. The expert salesman caught Russell’s interest and pushed his way near. He proffered his wares for inspection. It was a hollow piece of bone—cow or sheep, Russell guessed—carved with delicate figures in classic Indonesian poses. So thin, it was, the light shone through the bone in warm amber tones.
“Twenty dollar,” the vendor said, scratching a long dark scar on his neck.
“I’ll give you five,” said Russell.
“Ten.”
“Okay, ten.” Russell reached for his wallet and took out an American ten while the vendor wrapped the bone and passed it through the window.
The bus began to move and the vendors scattered reluctantly, some trotting alongside the bus for another hopeful moment. Soon the bus picked up speed and the locals were left in the dust.
Pleased with his find, Russell unrolled his carving from its plastic bag. He stared at it.
It had looked so much finer a moment ago. Now, the blocky figures hacked into the bone felt sharp against his fingers. The delicate details were gone. He held it up to the light. No glow.
Cheated!, Russell thought. They got me, a world-wise New Yorker. He rewrapped his booby prize and looked out at the passing lime-green terraced rice fields, the tall spirit houses, and offerings to the gods placed in the roadside gutters with care.
We ran into Russell in Bali as someone else might bump into a coworker at the grocery store. Together, we strolled along the waterfront of Cape Sari and through an open-air market. Fat pigs and goats lay suckling their broods beside stacks of bamboo furniture, while chickens stood waiting for sale, one to a bell-shaped woven basket. Souvenir t-shirts hung limply above varnished seashells and carved Buddha heads. Postcards outnumbered food items. Just a few years before, we remembered, only eggs and cloth were sold here. As we browsed and wandered, Russell told us about his morning rip-off and, laughing, promised to show us his white elephant.
“Shit! There’s the guy!” Russell pointed and, there, unbelievably, was the man with the scar on his neck, offering the same beautiful piece of carved bone. The three of us watched with fascination as the man made a sale, as he pulled a plastic bag out of his cloth satchel and adroitly swapped artifacts.
It was the classic bait-and-switch, expertly performed. Russell grinned, not at all displeased at having been duped this way.
“He’s a magician!” he said. “Did you see how he used misdirection? Fucking great!”
For a highly skilled young street performer, Russell has been known to toss ten bucks into a hat, and that’s all he’d paid this con man earlier. But he wasn’t quite satisfied.
He strode up to the shyster who, of course, didn’t recognize him at all.
“How much?” Russell asked, and the two repeated their earlier negotiations. Bob and I watched from a distance.
“You don’t have to wrap it,” Russell said, when they’d agreed on a price.
The vendor’s face fell. “Yes, must wrap!”
“No. Besides, I want this one.” Russell held onto the fine sample.
“And the guy started to panic,” Russell told us later, with absolute glee. “And behind me, another vendor, a woman, began to laugh and point at us. You could tell she was happy to see this guy getting caught.” Russell was laughing so hard he could hardly talk. Now he flourished the fine bone carving as the vendor had, triumphant. The sun was low and glowed through the delicate design of the salesman’s floor sample.
“I’m gonna put them side by side on a shelf,” he told us, “one beautiful, one crude, and a story to go with them.”
[This Bait-and-Switch series started here. More in the next post.]
Our first clear capture of the actual swap occurred on a sidewalk. The partners were running after their customer, afraid they’d lost the sale. They did the switch behind him, right out in the open. It’s beautiful in slow motion, like world-class magic. You see the “magician’s assistant” hand over one sack, turn, and tuck an identical one under his jacket.
When the sale had been concluded, Bob told the victim he’d just been swindled. The man didn’t think twice. He turned and bolted down the street, caught the con men, and got his money back, no questions asked.
In later visits to Naples, as our equipment improved, we used tiny hidden cameras with remote controls. This allowed us to get the ultimate exposés, including the scenes we helped capture for ABC 20/20.
Eventually, we were introduced to a trio of swap-thieves. I was waiting on a corner with Luciano-the-tram-thief while Bob fetched a translator. He was gone forever, it seemed. Meanwhile, it was my job to entertain Luciano and keep him from disappearing, from going back to work. We tried talking, but both of us were frustrated.
“Pacco,” Luciano said, pointing toward Bait-and-Switch-Central where a few men offered video cameras and cellphones to innocent but greedy foreigners. He waved them over. I tensed, wondering if they’d recognize me, worried about what Luciano was telling them about us. These were mobsters, intimidating men impervious to laws. “Pacco,” Luciano said again, indicating the three men who each had an electronic item in his hand, and I understood that pacco, Italian for package, was the slang term for their swindle. Also, that they all spoke rudimentary English.
“I am Davide,” one of the pacchi said, “and my friend is Guiddo and he is Giandamo.” I was obliged to shake their hands.
“Amigos, four years,” I told them, patting Luciano’s arm. Luciano said something in Napolitano and they all nodded. The pacchi told me that they “change” packages. I said I know, they sell water, or salt. They laughed. I was dizzy with conflicting emotions: high on being “inside” this fraternity of impermeable criminals, and full of fear and revulsion at the same time. With a jovial facade, I took a camera bag from one of them and made a show of tugging a zipper on it, as if it couldn’t be opened. They laughed again, knowing I was referring to the trick of gluing or melting zippers to delay the discovery of the scam.
We struggled with conversation until a few tourists wandered over and the pacchi pounced, pitching their wares. I got instant sweat in my armpits and a heartbeat in my throat. They caught my eye and I gave a barely perceptible nod. Inside, I was petrified. They carried on, eyes flicking back to see that I wouldn’t interfere with their scam. I couldn’t believe they let me stay in the vicinity. One piercing look and I would have fled.
Their quarry eventually decided against the purchase and walked away. The pacchi waited an instant, then ran after the mark making the switch without cover, in front of my watching eyes, and calling behind the mark: “Papa, papa,” hoping now to make the sale at any ridiculous price.
Bob returned just then with an aura of urgency that dominated my attention; the pacchi scene faded out like a movie transition. Officially introduced now, it’s unlikely we’ll be able to film the Naples switcheroo again.
What astounds us most about Naples’ bait-and-switch game is not the fact that it occurs right out in the open in full view of surrounding residents and businesses. Nor is it the perpetuation, the reliability of finding these guys on the same corner, year after year. Nor is it the fact that they haven’t been bashed up by a returning pack of angry victims.
No, it’s that the crime is committed smack under the noses of Naples’ law enforcement agencies. It is, apparently, tolerated, at the least.
The primary location of bait-and-switch activity is directly across the street from the city’s maritime terminal. Visiting cruise ship passengers congregate in the area, and must traverse the corner to walk anywhere. They usually pause there, either gathering the nerve to cross the wild traffic, or recovering from just having done so. Other people are in the area to catch ferries to Capri, Sorrento, or Ischia. There on Via Cristoforo Colombo, tourists and, presumably others, are scrutinized by Marine Police sentries. Naples’ City Police patrol by car and, in packs of five, on foot. There is also the Falchi Squad, the civilian-dressed motorcycle cops who look for “micro-crime.” All these, and the republic’s military force, are usually present on this intersection.
Yet, with all but a nod and a wink, the fearless mobsters carry on.
Your greed + a deal too good to pass up = bait and switch:
Buy-a-Brick
“Pssssst. Come ’ere. A brand new video camera with flip-out screen. In the box. $250. Here, have a look, try it out. Look, here’s the box, and all the accessories. Battery, a/c adapter, microphone. Only $225? Mama mia! Okay, it’s yours! Here, we’ll put it in the box for you, see? And a bag so you can carry it easily. Okay, thank you very much. Here’s your bag.”
You saw him put the camera in the box. You saw him put the box in the bag. So how did you end up with a sack of salt?
A better question: What were you doing trying to buy a thousand-dollar video camera on a street corner? What were you thinking?
Yes, the seller looked like a decent man, he seemed okay. But that wasn’t his son with him, it was his partner; and their performance together is as precise as a tango. Not only that, there are four or five teams per corner in the hottest areas, competing with such subtlety you’d never suspect they’re running a scam. After all, if they let on, you’re not likely to buy from any of them.
Bait and switch
As usual, observation tells the story. The swindler approaches you with the camera and, once you take it in your hands, he summons his partner, who brings a plastic shopping bag through which you can see a box. The box is opened for you and you see that it contains the promised accessories.
How can you go wrong? You’ll take it! You place the camera in the box yourself, tuck in the flap. You dig for your cash, which you cleverly placed in a pouch beneath your shirt, or in a money belt, or in your sock. You offer the money and take the bag. You even shake hands. What a deal. What a steal!
What you never noticed was the critical switch. You were intentionally distracted for an eyeblink, while the “son” passed by with an identical box in an identical bag. The bags were swapped. It’s the classic bait and switch.
You might think it difficult to fall for a scam like this one, but it happens many times a day on a certain corner in Naples. Ship officers and crewmen are primary targets because the con men know their ships depart shortly after the purchase and it’s unlikely they’ll return. Ordinary tourists are also easily tempted.
Bob and I first observed this trick in 1994, and have watched it develop over the years to include cellphones. In the beginning we were afraid to film it. From pickpocketing and bag-snatching-by-motor scooter to extortion and murder, all crime in Naples is said to be mob-related. The Camorra, Naples’ mafia, is made up of some 80 clans and thousands of members who operate in the city. Not that Bob and I knew that when we began our audacious stake-out of these grandfatherly crooks. But the vague knowledge we had was intimidating enough for a couple of lightweights. If you want to infiltrate the bad guys, you better know what you’re doing.
Eventually we began to film from across the street, and then to acquire bits and pieces up close with an exposed camera held casually. After all, tourists carry cameras and shoot the sights, so ours wouldn’t be incongruous. The following year we were more brazen, and carried a small digital video camera hidden in a shopping bag with a hole cut for its lens. This worked fairly well, though we were nervous as a thief in the act. It was this setup that got us our first clear footage of what we’d seen with our eyes so many times: the switch.
The move is simplicity itself; its timing perfection. The salesman tries to back up to a corner of a building, usually a magazine kiosk or a phone booth, anything to shield the substitution. That allows him to lower his hand and the bag while his unseen partner does the swap.
Our first clear capture of the actual swap occurred on a sidewalk.
Hi, Bob Arno here. First, thank you all for passionate comments (here and here) on our National Geographic documentary, Pickpocket King.
To a certain extent the majority of these comments are right, in individual or personal observations. For example, some of you have mentioned that you have friends who have come and visited Napoli and have never experienced any trouble. And of course it’s true, you can certainly visit Naples and never see a pickpocket, and you may even take a tram from the main train station down to the port and not be brushed into.
The same observations go for other cities that have even more daily pickpocket incidents; for example Paris and Barcelona. So, one can summarize that Napoli is not at the top of the list if we are only measuring daily figures, versus per capita numbers. But it is not our point in the program, or our agenda in this blog, to prove that Naples is especially high in statistics.
Naples is unique from another angle, compared with other European cities. Its pickpocketing is concentrated within a specific region of the city and on certain public transportation routes. That is a fact. And from a technical viewpoint, Naples can be perceived as a pickpocket capital—in finesse and in execution. The pickpockets’ teamwork and coordination is extremely accomplished. I don’t think anyone wants to hear why; we are not out to glorify the pickpockets as some kind of Olympian athletes. Maybe in another post. The first raw version of the documentary, an early edit, showed more details of their skills, but this was toned down so that young and impressionable viewers would not be inspired to follow in the tracks of these thieves.
Pickpocketing in Naples often, maybe even as a rule, follows a specific and intrinsic pattern in which at least three members in a troupe operate. It’s difficult for the police to penetrate this operation, unless certain laws are changed. Laws which at present are in line with the rest of EU laws, including where there is less of this crime. For example, we might see pickpockets in Copenhagen during the summer months, but rarely with the sophistication of those who practice in Naples.
So, for those who say they see more pickpocket activity in other European cities than in Naples, that may be true for them personally, but in no way does this prove our film theme wrong. The premise (and the fact) was that we could arrive in Naples with a team of camera operators using hidden equipment and, within ten minutes on our first day out, be successfully “hit.” That is not luck; it’s an understanding of the local scene.
By the way, I’ve done television programs on pickpocketing in many cities, including Barcelona, Rome, Las Vegas, New York, Stockholm, Prague, and others. For sure, Naples has the world’s most charming pickpockets.
We hope that those who saw the film armed with preconceived notions will comment after screening the program. And let us all hope that Naples finds a social program that offers these practitioners of an old “art” some sort of re-schooling to enter society with a fresh attitude, where nobody takes advantage of another human.