It’s a tricky business, filming thieves—you can’t shove a giant television camera in their faces and expect cooperation. Bob and I know this from many years of experience, but Kun’s history of criminal interviews included just one hour off-camera with a pre-buttered “friend.” Kun’s priority was getting the high sound and video quality required by our (still secret) investor-distributor, whose standards are ultimate. Bob and I just wanted the meeting; we wanted Pierre and his friend to demonstrate how they pick pockets, and tell us about their work; and we wanted to film it if possible. Kun wanted the same, but only if he could record audio and video at the required standards. Otherwise, none of it was of any use to him—he couldn’t put it in the film.
This little conflict was settled by way of two compromises. First, Kun would shoot video on an unobtrusive camera himself, without an additional cameraman. He thought his Canon EOS 5D Mark II would do. Second, he’d keep his soundman and assistant at a distance and only call them in at the last moment, so as not to present a large, offensive front that would overwhelm the casual atmosphere we hoped to maintain.
The crew was booked. The time and place were set.
Meanwhile, my skepticism had not been dissipated by our clandestine rendezvous. What skepticism? Well, why should I believe that “Pickpocket from Paris since 13 year old” is who he says he is? He could be any old leg-puller with a sense of humor. Pierre’s second letter admitted “yes i also speak english , litle just for my job ( rires [laughs] ),” though most subsequent letters were in French. In his third letter, Pierre claimed to work in a car factory during the week, pickpocketing only on weekends and holidays.
If true, he’s a man on the grid, with a reputation and a job to protect. He’d be much cagier than a full-blooded thief who owns up to his livelihood. More careful. More fearful of entrapment, with more to lose.
On the other hand, he’d described some pretty sophisticated M.O.s in his letters and at our cafe meeting. The man definitely knows what he’s talking about. We were all three eager to see his demonstrations, and how he works with his partner.
Kun arrived early at our hotel. He’d slept little, he said, excited by yesterday’s meeting with his first pickpocket. He’d carefully packed his equipment and was ready for the first shoot on the project. We were ready to go when Kun’s phone buzzed.
Pierre sent a text message. Sorry, something’s come up. Have to cancel today.
Oh, what disappointment! We scared him off, we said to ourselves. No, he’s just busy, we tried to convince each other; he told us his parents were visiting from abroad. Why so vague then? Should we call him? Email him? No, let’s wait.
“It’s funny to say, but I actually trust this guy,” Kun said. “He’s emailed for months, he phoned twice to confirm our meeting yesterday, then he showed up 45 minutes early. He bailed today, but I think he’ll come through.”
“My take’s different,” Bob countered. “They’re nervous that they’ll be recognized on television. They have regular jobs, and their work will be in jeopardy.”
Later, Pierre called. “My friend wants money to talk.” We can’t do that, Kun insisted. Then it’s over, Pierre said. Kun consulted our producer, who approved small consulting fees for Pierre and his friend. Negotiations began and tensions rose. Pierre, we sensed, was being pressured by his partner, who had no relationship with us, no reason to cooperate. The partner, too, was on the grid—he drove a bus, Pierre had said.
Eventually, an agreement was reached. We thought. That’s what Pierre and his friend said. We had a deal. Then they canceled. Pierre didn’t return our phone calls. Our email bounced.
Pierre was history. Welcome to the world of thieves.
With a firm grip on the patient’s big toe, the hospital orderly entered the police inspector’s office. He carried the full weight of the patient’s plastered leg, which extended from the wheelchair without any other support. As he was pushed from behind and pulled by the toe, the patient hunched awkwardly in the rusty iron wheelchair. A male nurse had the ancient chair tipped precariously back, which thrust the broken leg to a painful height.
As he was wheeled in, the patient gripped the armrest of the chair with one hand and clutched his broken ribs with the other. A procession of plainclothes police and hospital staff followed. The patient was a pickpocket, brutally beaten by his most recent victim.
Mumbai Police Inspector Ashok Desai had not required much prodding to produce a pickpocket. He sat behind the desk in his lilac-colored office at Victoria Terminus and chatted amiably with us, shoes and socks off, cap off, smooth bald head reflecting the slow revolutions of a ceiling fan. Curiously eager to cooperate, he buzzed his peon and ordered him in Hindi when we asked to interview a thief. Shortly thereafter, his office doors were thrown open and the broken criminal wheeled in.
“Now let me explain something,” Bob said, leaning forward. “If he lies to me, I will know. I want only the truth.”
Without waiting for translation, the pickpocket replied in Hindi. “I speak only the truth to you,” he said, Inspector Desai translating. “I swear to you.” He raised his open right hand and placed it stiffly against his nose and forehead, thumbtip to nosetip, like a vertical salute.
Bob Arno shows pickpocket video to VT Police
Before the battered thief was brought in, the Inspector wanted to be certain that he wouldn’t be glorified in the press, nor made fun of by us. The man had received the beating he deserved, Desai said. His huge curled mustache held the shadow of a smile. While we waited, he dictated a memo to an assistant and sent another running for masala chai, spiced milky tea. Pigeon feathers swirled on the floor in a mini whirlwind.
Rahul was wheeled in and parked beside Bob. A posse of police and medical staff stood behind his rusty throne like male ladies-in-waiting. After promising truth, Rahul looked back and forth between Bob and the Inspector with alert eyes, and answered without hesitation.
He steals only on trains at the passengers’ moments of boarding or alighting, he explained. Never on buses. His only victims are wealthy businessmen, easily identifiable by the size of their bellies and grooming of their mustaches. He tapped his own thin mustache and sunken belly, indicating the local signifiers of affluence. All the police recognize Rahul and his gang. Therefore, they usually commit their thefts a station or two away from Central Station. He was caught this time because he’d been drinking a little and his reflexes were slow. He was sloppy. It was a bad mistake. He pressed his broken ribs and grimaced.
Rahul works with a sliver of razor blade, which he hides in his mouth between cheek and lower gum. Using a broken match stick, he demonstrated how quickly he can manipulate the blade. With it, he slices open the satchels of affluent businessmen on trains while a partner holds a newspaper or canvas bag at the chest or neck of the victim, preventing his seeing.
“Show me,” Bob said, coming around Rahul and squatting beside him. Rahul was handed a newspaper and then demonstrated how quickly he could open a bag beneath the shield of the paper.
This is done while boarding or exiting trains so crowded that people can barely turn their heads, Rahul and the Inspector explained.
“Do you ever cut pockets with the blade?” Bob asked.
“No, only bags. But I know others who cut pockets. Two brothers, they always work together.”
“I want to talk to them. Where can I find them?” Desai asked.
“I don’t know,” Rahul said. He seemed afraid for a moment.
“Last question,” Bob said. “What will you do when you’re fifty?”
A Mumbai taxi
“I have a taxi medallion and badge. If I get the chance, I would like to ply the taxi on the road.” He paused. “But I do not think I will get the chance.”
It’s possible that Rahul works under an Indian mafia. Neither he nor the inspector suggested this, but other Indians who analyzed portions of this interview on video thought it was likely.
“Where there is big money there is mafia,” an Indian working in the security business told me. “Your pickpocket, he was afraid to talk about other thieves he knows. He didn’t want to tell the police inspector. And as to driving a taxi, probably the mafia will never let him quit the steal business. Your pickpocket will continue his work on the trains, I believe.”
In 2001, we spoke to this pickpocket in Mumbai, who'd been beaten by his victim.
While pickpocketing and bag snatching are said to be fairly common in Mumbai, Bob and I feel a visitor is less likely to become a victim there than in certain European cities.
Unless, that is, the visitor uses public transportation, where thieves practice all the common strategies plus a few creative twists of their own.
And unless the visitor happens to be robbed by snatch-and-grabbers on scooters, a nasty crime on the increase.
And unless the visitor experiences the human-leg-clamp robbery as experienced by our friend Paul McFarland just one year ago.
Otherwise, most victims of diversion theft are local commuters.
Mumbai police watch Bob Arno's video of pickpockets around the world.
Street crime in Mumbai
When we asked about pickpockets, a few Mumbai police officers tried the “good PR” approach. “We don’t have much pickpocketing,” they told us. “Mumbai is very safe. You can walk anywhere day or night. Married women wear mangalsutras, necklaces of pure gold. They are not afraid to wear them anywhere,” the cops said. Yet, the next day’s newspaper reported “man caught and beaten by witnesses after snatching a woman’s mangalsutra.” If witnesses are taking care of thieves on the spot, perhaps the police aren’t aware of the crimes?
We’d interviewed a pickpocket in Mumbai PD custody back in 2001. [Story coming soon.] He was trundled to us slumped in a wheelchair with a broken leg and broken ribs. Caught by his victim on a train, he’d been beaten to a pulp. That’s the way it’s done here, we’d been told.
Now Assistant Police Inspector Subhash Borate suggested that many Mumbai thieves suffer from drug addictions. He described a few local M.O.s:
A small part of the gorgeous Victoria Terminus train station in Mumbai, now called the Chhatrapati Shivaji Terminus.
A long hook is fashioned from a steel bar. Thieves stand with it on the platform at the train station. As the train pulls out, the thief snags a bag or purse held by someone standing in the doorway of the crowded train. (This sounds strange to me, as if it might cause people to fall off the moving train.)
Beggar children clamp onto the legs and back of a victim so he can’t walk, while one rummages pockets. (Similar to the human-leg-clamp robbery mentioned above.)
Subhash also mentioned drink-drugging on trains and the trust-building of a person pretending a desire to practice his English with a foreign visitor.
When Bob suggested that poverty might be a motive for theft, the police officers countered that nobody needs to be unemployed in Mumbai. There’s work enough for anyone who wants it. We saw hiring signs in restaurant windows.
At Bob Arno's seminar at the Azad Maiden Police Station, video was projected onto a sheet taped to the wall.
Bob was to lecture about 70 Mumbai police officers on methods, motivation, and pre-incident body language. The day before the seminar, we were introduced to a 40-ish man in police custody. He’d previously served time for five assaults, a murder, and numerous robberies, and had been picked up again that morning. The barefoot prisoner was dragged in handcuffed to an officer. Bob questioned him through a Hindi translator, but the man was guarded and said little of substance.
Bob Arno questions a thief in custody.
Meanwhile, two television news crews materialized, and convinced Bob to steal in the streets for their cameras. Bob stole numerous items from the pockets and purses of people on the sidewalk. After each steal, four big television cameras converged on the victims and huge crowds grew—bigger than anyplace else. The victims had no idea their items had been taken, and their reactions were just what news correspondents live for.
Senior Police Inspector Bhawale presents Bob Arno and Bambi with a thank-you bouquet.
Bob’s conclusion was that, compared to the people of other countries, the Indians he stole from were more trusting. They did not react to Bob’s hands in their personal zone, and he was able to steal the belongings of many people very easily. Perhaps that’s because Mumbaikers are used to crowded situations. In some countries, Germany and Hong Kong, for example, the citizens are hardened and cynical. Perhaps too, that is why the locals continue to be the prime targets of thieves.
Huge crowds grew as Bob Arno stole from passers-by in Mumbai.
Bob Arno here, on our recent visit to Iran. The country has been in the news lately regarding the arrests of 30 persons accused of a U.S.-backed cyber war. We passed through last week, while also visiting Oman, Kuwait, Bahrain, and India. This is not an in-depth analysis about the stability of the present government in Iran or what lies in the future regarding its precarious relationship with Europe, Israel, and the U.S.; simply some observations from a short visit. [Way below!]
I first visited Iran in the mid-sixties as a young entertainer, performing in a shabby nightclub in Tehran. The booking was for two months and quite typical of the kind of engagements I was getting all over the middle East in those years, in Beirut, Cairo, Dar Es Salaam, and Teheran. These clubs were basically a front to sell alcohol and what were then called “consummation girls.” Even today, Lebanon advertises for girls to work as dancers and consummation hostesses in clubs across Lebanon.
The nightclub shows were simply an excuse for the management to have a license and to be allowed to stay open in a Shari’ah society. These were tough audiences, not especially interested in a young Swedish comedy performer, but the novelty of pickpocketing was intriguing and different from the usual fare of belly dancers, jugglers, dance teams, and singers. My show at the time was rough around the corners and I hadn’t yet acquired the confidence or slickness which later became my trademark and is essential to being a good pickpocket. With a few simple pickpocketing stunts I was able to bamboozle this nearly-ninety-percent male crowd and hold their attention.
Halfway through my booking, the club management informed me that I had been invited to the palace to do a private show for the Shah. No, there was not going to be any extra fee; this was an invitation to entertain the royalty (as if I were a court jester), and I should consider myself honored that his highness the Reza Shah had requested my services.
My manager at the time was a British show-business entrepreneur—Lord Anthony Moynihan. Moynihan was married to his second wife (he would eventually be married five times), a Pakistani belly dancer called Princess Amina. A diva of considerable proportion and a nightclub attraction with great popularity throughout the Middle East, she always guaranteed large audiences. Lord Moynihan was in Teheran, together with Princess Amina, who was performing in the same venue as myself. There have been many colorful stories written about Princess Amina. The most accurate one was written in 2002 in The Daily Times (of Pakistan) by Kaleem Omar.
Lord Moynihan was instrumental in structuring my career and coordinating my early bookings from the mid- to late sixties, culminating in several gigs at the London Playboy Club run by the infamous Victor Lownes. We parted ways in early 1970, when the Lord became one of the most wanted men in the UK for financial fraud. I, too, had long suspected Moynihan of “unusual” business practices, but I was never able to nail him with evidence, despite our close association. I finally got hip to his shenanigans when Victor Lownes told me that Moynihan could no longer enter the club premises, because he had been caught operating a cheating syndicate, pushing roulette chips over the table lines, with sophisticated diversion techniques involving beautiful girls leaning and shading the line of sight of the dealers. I don’t know who learned most from whom during our eight-year relationship. But that’s another story. And another post.
The Lord, Princess Amina, and I were brought to the Palace in downtown Teheran and invited to dinner. No, not with the Shah and Farah Diba, but at a separate table in a different room. Most memorable were the table settings, the porcelain, and the gold utensils. For a young impressionable Swede this was certainly a first.
A security adviser soon told me to enter the sitting room and do my show. Gathered on a large sofa were the Shah, Princess Farah Diba, King Hussein of Jordan, and his young wife, Queen Noor. But there were parameters. I was firmly instructed not to touch the Shah during my performance. How does one do pickpocketing if he’s not allowed to touch his subjects? Further on, the Shah wore a gold Rolex Presidential watch—at the time one of the most expensive watches in the world, and certainly not something that I would experiment with. The only thieves who are able to lift Rolexes are in Naples, Italy (then and now), and their technique is most certainly not appropriate for light dinner entertainment in a royal setting. I had to resign myself to some other table magic routines, which were my usual fallback material when all else failed. My evening with the royal rulers in the Middle East was not a success to boast about. I never ripped off the Shah of Persia. Well, not the official way.
And now we go forward, to the present day. I haven’t been back to Iran since the sixties. Today, hopefully, I am more astute at reading security trends and the political winds. I especially wanted to talk to ordinary young people about their feelings on Iran now and how they see their future in relation to Europe and the rest of the world. I expected to see parallels with Turkey, where the dialog about joining the European Union is intense, if not conclusive. Our first destination was Bandar Abbas, a city of around 370,000.
Driving through the center of the town I noticed an abundance of graffiti, or recently overpainted graffiti. I was curious about whether the slogans or messages were political, and for or against the government. I got the most amazing replies to my questions—mostly outrageous explanations, with no grounding in reality. For example: people are allowed to advertise for a month on the walls and then the municipalities paint over the walls to allow for new messages.
Or, an even better explanation: young people are encouraged to express themselves artistically on the walls, and then they are repainted for new creative expressions. I could not find a single person who would insinuate or say that these were angry statements from the opposition which had been removed or painted over by the authorities. End of that story.Â
But I did find several people in their mid- or late twenties who proclaimed that most of the young people hated the present regime, that they were robbed of their election, and that nobody cares or pays any attention to Mahmoud Ahmadinejad. True, these were people who spoke English and had a good education. Had I been out in the countryside and had a similar conversation with farmers, I might have gotten an entirely different story.
The most significant reflection I can pass along is how friendly everyone was, regardless of where we walked. We were obviously a novelty to the people, but there was absolutely no anti-American mood expressed or observed anywhere. People were genuinely friendly and open, and wanted to communicate and interact. There are many countries around the world where we Americans are sneered at, or receive a cold reception; Iran, at present is not one of them. That is not to say that the regime is not presently jockeying and manipulating world opinion. They are facing an embargo or trade sanctions in the UN, and perceptions of European visitors, tourists, or business travelers can shape the dialog.
We did notice civilian dressed security personnel following us from time to time, when we traveled and stayed with a group of other Americans, but mostly we were on our own and without escort, supervision, or secret surveillance. We spotted a few young clumsy pickpockets on the perimeter of a large crowd that had gathered around a troupe of shady “three card monte” men, operating just like they do in the rest of the world—spotters, shills, and a main operator. And, as usual, they scattered when a motorcycle with two cops approached.
In the souks we saw many social subgroups in their traditional garb. One should certainly not point a camera at these conservative women without permission. Some gave us the okay; others declined. Yet others struck unbidden poses and begged to be in our photos.
Iran is clearly at a turning point this year. It will be interesting to see the developments the next six months. Because I recently wrote about the Mahmoud Al Mabhouh killing in Dubai, I will conclude this post with an observation about Dubai, and its latest chess move: barring entry to any person with an Israeli passport. There has been a lot of speculation about whether this presumed Israeli operation was sloppy, arrogant, or ill-informed of the quality of the surveillance equipment. Senior analysts in the intelligence communities have expressed conclusions that they must have underestimated the advanced surveillance technology in Dubai. Security guru Bruce Schneier opened his recent Crypto-Gram newsletter with an interesting summarization.
I recently spoke with Samuel Lewis, former Ambassador to Israel for eight years during the Carter and Reagan years (and later director of the State Department’s Policy Planning Staff during the Clinton years). Ambassador Lewis has a deep understanding of the Iran-Israel conflict: he too thinks that the Israeli Mossad had underestimated the Dubai technology advances. That is, if the Mossad are the people behind the assassination. My own theory on this is that the Israelis wanted to send a clear message both to Dubai and its banking system, and to HAMAS. The software and the technology going into the camera surveillance systems must surely be well-known to the Israeli intelligence community. In weeks to come, we’ll hear more interesting revelations about the Dubai affair.
[dropcap letter=”Y”]ou look like a million dallahs,” the mugger leers at Bob Arno, his gold teeth glinting in the Panamanian sun. The dozen or so men who’d gathered around us nod and elbow one another.
Bob wears a polyester t-shirt over nylon shorts; acceptable on the tennis court, but otherwise, pretty shabby attire. He wears no jewelry, but his Cole Haan sneakers are pretty snappy. Is that it? The shoes? Or is it the pricey equipment he carries—a sleek video recorder and separate audio recorder?
When we find these gangsters, they appear to be defending their turf.
The mugger wears a spotless white t-shirt over a white wife-beater. Fancy, gold-accented sunglasses perch in his short hair. On his wrist, a circa 60s gold watch worth about a thou, give or take. A gangster with a flare for making just the right statement.
Our translator, Gustavo, chuckles nervously, though he’d assured us we were safe with him. As a former gangster himself, he knows, presumably, where his alliances lie. Which is not everywhere, as he was reluctant to walk with us down a street he deemed too dangerous, though it looked much like this street.
Colon gang leader Enrique
Muggers in Colon, Panama
Enrique, the mugger Bob and I are chatting up, is said to be the baddest of the bad guys. He also seems to be the smartest—and a take-charge kind of man. We started out talking to his fellow gangster Gilberto, but Enrique quickly took over, eagerly answering our questions. As if he really wants us to know what life is like for him and his neighbors.
No one in the neighborhood works, because there isn’t any work. Occasionally, a few of the men will get jobs on construction sites. Even Enrique. But the money from those jobs only lasts so long, and the men need money for their families. So they rob. They steal. They mug.
It’s simply the way of life in this part of Colon. Nothing to be ashamed of, nothing to hide from the children. In fact, we’re surrounded by children of every age as we question Enrique and Gilberto. Dozens of children.
Seeking a little privacy, we move the two gangsters and our translator to a nearby alley, but others follow, curious.
We’d started the interview by moving into a wide alley for privacy, where laundry flutters over a junked car. One by one and two by two, a crowd gathers. Mostly other adult men and small children, while women hang over balconies and push aside curtains at windows on the alley.
We’re in the heart of gangland. Brave and maybe stupid, we’re out of our water. At a shrill whistle, I break into a cold sweat. Fifty rival gangs patrol Colon; violence could erupt at any moment. Three a week are killed, we’re told, in gang fights. Three a week—wow.
I’m smiling till my cheeks hurt and my lips crack. Bob and I do a lot of smiling, mostly with the intent of disarming the thugs. We’re full of false confidence, hoping they can’t smell our fear. A defenseless city couple holding tasty electronic goodies like fish out of water. Like lost wildebeest surrounded by lions hiding in the grass.
People watch us from balconies all around us. Some dance. Quite a few men hold babies.
Like the rest of us, Enrique heads to the bank when he needs cash. But that’s where our methods differ. He lingers outside and waits for a flush customer to come out. He uses a gun when he needs to. The problem with robbing bank customers is the police, who tend to watch out for men like Enrique. So his second choice is robbing drug dealers, an activity fraught with deadlier dangers: the drug dealers carry guns. Oh, and there’s the odd tourist who wanders through town.
Enrique is clean-cut and thoughtful-looking, with a nice face. You can barely see the gangster tats peeking out of his t-shirt. He doesn’t look like a mugger, whatever a mugger is supposed to look like. He doesn’t look like the heartless, dangerous man he really is. Neither does Gilberto, a younger man with sad, wistful, distant eyes.
Bob Arno and Gilberto
Maybe this is unique to the Panamanian underworld. Angel, the pickpocket from Panama City, looks sweet but clueless. His pal Jaime has intelligent eyes in a handsome face. Both Dajanel and Jael, violent muggers in Colon, have faces you could put on a Disney badge. Even our translator Gustavo, granted, a former gangster, is positively radiant. My impression of Panamanian thieves does not include greed as an attribute. Nor do those I’ve met seem to be drug users or dealers. They just want enough to survive.
As Bob fires questions at Enrique and Gilberto, I marvel at the liveliness of the neighborhood. Music blasts from several sources. Girls on the street and on balconies dance to different beats. Six small children are now perched on the trunk of the parked car, beside and between Bob, Gilberto, and another man. They tap their fingers and toes to music as they listen to their fathers and uncles describe how they pull guns on people to get money.
Everybody\’s got a handgun in his pocket.
A handgun is suddenly pulled from a pocket and it startles me. The children who’d climbed up on the car are four to eight years old, but the gun is obviously nothing new to them. The point is, everybody’s got a gun in his pocket, even though it means five years in prison if they’re caught with one.
I ask Enrique if he mugs women. He hesitates, then looks embarrassed when he says yes. If her purse looks heavy, if she looks like she’s got money, he’ll mug a woman. There’s no respect. It’s all about the money.
Across the street from our interview, another decaying building alive with people.
Gustavo finally alludes to his criminal past and prison term. No surprise. He belongs to the government-sponsored company of former gangsters turned tourist guides. His work, when he gets it, usually consists of taking tourists out to the Gatun Locks in the Canal, or to the mall, or to beaches. He’s paid $23 for each day he works, usually two days a week.
Gustavo is decidedly beefier than his gangster pals, and I guess it has to do with his steady income, meager though it is. Later, Gustavo introduced us to yet another former gangster, now a respected office worker for the department of immigration. He has both an email address and a fat belly—signs of success. We also meet a few people wearing braces on their teeth. How can they afford it?, I ask Gustavo. They don’t need braces, he scoffs. It’s just a fashion.
It’s disconcerting to be completely encircled by curious onlookers in a neighborhood like this one.
By the time we finish our interviews, some 40 people have gathered round us. The adults stand quietly, politely, crowding in close. The children play, observe us, and mug for our cameras. No one scolds the little ones when they climb some rusty scaffold or run into the street. Tangles of razor wire dangle ominously, and sewers loom without grates. These are wimpy dangers in this neighborhood. Rival gangsters might come around the corner at any moment. The slightest infractions justify killing: You looked at my girlfriend. I want those shoes.
We hear a siren, but it’s probably the nearby fire station. The police only show up after gunfights, they tell us. They only come to pick up the bodies.
Bob has more to say about muggers, Panama, and our experience there. Stay tuned.
Mdubuzi, a pickpocket in Durban, South Africa, stole a wallet from a woman watching a car race. Bob stole it from Mdubuzi and returned it to the victim.
“We do what you do,” Bob told the poker-faced pickpocket. “Same job.”
Looking at his blank expression, it wasn’t clear that he understood. Perhaps he didn’t speak English. If he did understand, his mind must have been racing. What could be worse for a pickpocket than being confronted by a stranger? Even one who claims to be a colleague.
“Here, I’ll show you.” Bob put his hand on the young man’s shoulder, dipped into the man’s pants pocket, and extracted a woman’s wallet—the same one we’d just watched—and filmed—the pickpocket snag from someone’s handbag.
Bob opened the wallet. There was no money in it. The pickpocket watched in stunned silence as Bob turned away with it.
“Excuse me, madam. Is this yours?” Bob offered the empty wallet to the victim who still stood just a few yards away, engaged in the spectacle she’d come to witness. The woman accepted the wallet gratefully, but puzzled. She hadn’t realized it was missing.
“You see?” Bob asked, returning to the pickpocket. “Same job. You understand?”
“I understand.” the young man said. Clearly, he didn’t know what was coming. Best to say little, he seemed to think. Speak only when questioned.
It was our first visit to Durban in many years. The climate had changed drastically since the abolishment of apartheid and the switch in governments. Violent crime in South Africa was frighteningly high now, to the extent that the U.S. State Department, as well as Britain’s and Australia’s governments, recommended that business travelers to the country employ armed bodyguards.
Visitors were warned to stay in their hotels after dark and use extreme caution at all times.
Mdubuzi uses stealth to steal from women’s purses, his forte.
It was a warm spring Sunday when Bob and I landed in Durban’s city center. We had intended to wander through the outdoor market when our attention was drawn to a huge crowd on the edge of Central Park. Though we couldn’t see beyond the spectators, roaring engines soon informed us that they were watching car races. We hung back a bit and studied the rapt audience.
“Watch those three,” Bob said, and I followed his eyes. “Watch their body language.”
Within two minutes of our arrival, our eyes were fixed on a trio of suspicious characters. These three did not strain to look over or between the heads of the crowd. They seemed to be as interested in car races as Bob and I were. Instead, they looked at the backs of the spectators. They lingered and loitered a few minutes, then moved on and looked for new opportunities among new backsides.
Engines roared and tires squealed. Loudspeakers blared some exciting results. One of the young men had a plastic shopping bag in his hand; as in fact, many people did. But his bag was folded flat in half twice, which gave it a bit of firmness. It could have contained a greeting card, or a small pad of paper. On closer inspection, I noticed the red advertising copy printed on the bag was worn off to the point of illegibility. The folded bag must have been held in a sweaty grip for hours.
Three pickpockets surround a woman spectator at a car race.
The three men positioned themselves around a woman whose purse stuck out behind her. One man moved in on each side of the woman, blocking her purse from the views of anyone to her sides. The third man slowly crowded into the woman from behind, stretching his neck as if trying to watch the race. Slowly, slowly, his left hand raised the flattened bag to the purse, where his right hand crept up to meet it. Then, with the plastic bag as a shield and his right hand poised above the purse, he gave the woman a little jostle. A gentle, natural jostle, appropriate for a tightly crowded audience engrossed in vicarious thrills. His skinny elbow raised and lowered then, and Bob and I caught a quick glimpse of brown leather before it was folded into the flattened bag and plunged into the thief’s deep pants pocket.
Wondering about street crime in Nassau, Bahamas? First we witness a tourist robbery, then meet another tourist just robbed at gunpoint.
We’re standing on Bay Street, the main drag, while I’m checking email on my iPod.
“Hold onto your stuff, these guys are targeting us,” Bob said. I had the iPod in one hand, a good camera in the other. We’d planned to stroll down the beach to where we spent our first three years together. A seven-mile stroll, but one we’d done daily in the eighties, often on bikes.
I glanced up and saw the two suspects crossing toward us. Suddenly they caught sight of a better-looking target. A pair of men, one shirtless, who were cutting through the parking lot of the Hilton British Colonial, heading back to their room. As the scruffy suspects approached the tourists, Bob narrated: “They’re offering drugs,” he said. A tourist is offered drugs in Nassau as often as tourists are offered “copy watches” in Italy or Singapore.
Scene-of-the-crime
“Crack or weed,” was the actual offer.
“Weed,” the shirtless one said.
A deal was struck. $60 for an eighth, the victim later told us, twice what he pays in Canada, “but what the hell.” He pulled out the cash. The “dealer” grabbed it and ran. He dashed between cars in the parking lot, cut through a lush tropical border planting, jumped a five-foot wall, and ran down a side street. His partner had disappeared during the deal-making.
In terms of street crime in Nassau, this was pretty tame.
The victim, a Canadian, was both mad and bemused. A Bahamian man who’d also witnessed the robbery dragged the victim off to the police station. Interesting to see the story as slanted in the Nassau Tribune.
We gave up on visiting our old home and beach cove in Cable Beach. We wandered the streets and fended off a few more offers of pot. Do we really look like the target market?
Real street crime in Nassau
Then we met the Ad Koens, a visitor from Holland. He’d gone on a Segway tour. At 11:00 in the morning his entire group, eight tourists and one Bahamian tour leader, were held up at gunpoint and made to spread-eagle on the ground. Another group of nine was already down.
The bandits wielded shotguns. They tied one man’s wrists to a long wooden plank placed across his back. Ad was kicked in his ribs, others were kicked in the head. “It was very, very professional,” Ad said. They demanded everything of value: cameras, video cameras, iPods, wallets, purses, GPS devices—everything the tourists had on them. One man lost a Rolex and a laptop. Eighteen men and women robbed, and the two scruffy thieves got away.
After the ordeal, all eighteen victims were taken to the police department to file reports. They were shown 500 mug shots, 25 to a page, each the size of a postage stamp. When Bob asked the victim how he’d rate the police-reporting experience on a scale of one to ten, the answer was “Zero to one. It was a joke.”
The two robberies were front-page news in Nassau on Saturday, November 21.
Psychology is an integral part of a good cannon’s skill-set. He must be able to read the mark. More than one good pickpocket has told us that the rush is better than a drug high (which many have the experience to compare), when he sinks his hand into a mark’s pocket and touches a wallet, even if there’s no actual extraction. Just being there—inside a complete stranger’s pocket—is a rush. Pickpockets often come up with nothing, for many reasons. The poke was lying sideways in the pocket. It was too thick. In a woman’s handbag, the zipper opening was not large enough to let the wallet slide out, The mark made a move sideways, or suddenly changed face expression (to anger or strain). Grift sense informs the pickpocket’s next move in the game.
Early this month, Germany’s RTL Television Network sent for Bambi and me for its program, Extra. Over the past six or seven years I’ve had several segments on RTL’s Extra, all with high ratings; which may explain why the network flew two people all the way from Las Vegas to do only a ten-minute spot in a one-hour news-program.
RTL Extra producer Burkhard Kress with pickpocket Bob Arno
This time the assignment was different and demanding. The producer, Burkhard Kress, wanted me to steal from the public at Munich’s enormous Oktoberfest, where more than eight million people congregate over a two week period. The goal was to illustrate why pickpockets love crowds, and that Oktoberfest is a strong magnet to international cannons.
During the festival, hundreds of international pickpockets descend on Munich and practice their trade, not just on the fairgrounds, but also on public transportation, in hotel lobbies, and everywhere tipsy revelers rally—pickpocket heaven for sneak thieves. Cannons who usually operate in St. Petersburg, Bucharest, Rome, Naples, Athens, Paris, Marseilles, Barcelona, Lima, and Santiago, to mention just a few cities with a high level of whiz mob activity, come to Munich for the festival with hope of making a big kill.
Bob Arno dips into a woman's purse.
My challenge was especially tough because I couldn’t operate in the same environments or locales as my criminal colleagues, and had to work with serious limitations and restrictions. First of all, there was a time issue. We had only two days for the project. That meant starting work immediately upon arrival in Munich (from Las Vegas), without being able to first scout the venues, the crowds, the hidden cameras, where the undercover cops were patrolling, and where the best spots were to extract the pokes without being caught by law enforcement.
And RTL wanted “money-shots”—all television programs seek these emotional moments. They’re what drive viewers and ratings. They make for tense television and, most important, they stop viewers from switching to other stations. It’s why programs like America’s Got Talent are actually scripted, dripping with confrontational emotion when participants are ejected from the show.
Bob Arno in lederhosen.
The television money-shot in pickpocketing is when the reporter asks the victim about safety, and how he or she perceives the threat of theft and cons. The questions are usually: “So how do you feel about pickpockets? Could one steal from you?” The answer, hopefully, will be a confident: “No way, I’m too aware, my stuff couldn’t be stolen.”
Packed into this two-day visit, we had scheduled camera shoots (me stealing from the crowd), interviews of me, my analysis of security at Oktoberfest, and lessons in theft-avoidance. We also needed time to transfer some of my crime footage that illustrates new pickpocket techniques relevant to Germany and its visitors and viewers. A project like this really needs five days.
We arrived at the hotel and changed into the working uniform, this time traditional lederhosen. We rigged cameras and wireless microphones, experimental wrist-rigs, and the usual button-cams. We also had to take into account the local laws, like what can be filmed with audio (privacy laws).
A pickpocket (in striped shirt) uses a coat to hide his work as he steals a wallet from a man boarding a bus.
Next step was a briefing with the film crew to make sure everyone understood the logistics of filming thievery. Cannons will always shield the hand going into a pocket or purse with a jacket, a bag hanging sideways over the chest, or something. This allows the thief to hide his entry into the victim’s pocket, purse, or fanny-pack and the world around won’t see the extraction. My challenge was to keep my theft hidden from the vic and his friends while enabling the camera crew to film it.
We review the day's footage while waiting for duck dinners in a beer-hall. Nearby men climb on a table and strip.
I work fast, and my hands often fly lightly all over my mark. Usually, Bambi is the only one who can anticipate the item I’m after and where to point the camera. She was thrown a camera and became one of the crew.
Most of the drinking and much of the partying at Oktoberfest takes place in the many enormous beer-halls on the grounds, huge tented restaurants which are each sponsored by a different company. RTL did not receive permission for me steal inside the tents, where the crowds were dense, but the police knew that I was working with the film team at the festival. Therefore, we had to be aware of surveillance cameras and how they were monitored. Were they actively watched by humans, or was it a system that simply records everything so that officers can go back and view footage in case of an incident?
I also wanted to avoid the inebriated. Partiers were putting away six or seven one-liter mugs of prime Oktoberfest beer. Stealing from a drunk does not make for great television in my opinion—among criminal street pickpockets this is ranked at the lowest level. It’s entry level thievery and gets no respect from the whiz mobs. They call this kind of lowlife a lush worker.
Bob Arno tells RTL reporter why pickpockets hang around ATMs. Man in green shirt is Bob's next victim.
I hung around a row of ATMs for a while to watch for a taschendieb or two on the lookout for good marks. A team of four caught my eye. I was itching to go up and introduce myself—talk shop. It usually takes me thirty seconds to determine in a conversation if they’re thieves or not. But there was a fly in the soup here. Oktoberfest management had hired undercover cops from Romania to look for Romanian pickpockets and these guys could have been them. My suspects spoke only Italian and one of them just a tad of English. Yes, we had fun talking, but I didn’t get the confirmation I hoped for.
One by one, a few good potential marks walked away from the ATM after cash withdrawals. I telegraphed to the film crew that I was ready to go into action and got an approving nod: “go for it.” I lifted a few wallets and we got superb money-shot reactions when we returned them. It was “in the can,” and everyone was happy.
'No way you could take my wallet,' the victim said before Bob dangled his wallet before him.
What made this spot so successful? First and foremost, I saw where the marks placed their leathers (slang for wallets) and how thick they were. I could immediately determine the print of the poke. Translation: the four corners of the wallet and where the top of it was in relation to the top of the pocket—how deep down it was. That’s significant information because it allows the me to pick a technique of extraction: what fingers to use and where to grip. Yes, there are different methods to extract a wallet.
In an ideal scenario you want to nip the top edge with your nails and stay still while the mark moves away, he simply walks away from his property. The vic’s own motion hides the sensation of the poke sliding out. An alternative, for a good cannon, is to create a small diversion when the leather is lifted. A light brush against the legs is enough, or perhaps a more demonstrative push by a female whiz mob partner (or a stall). Each extraction need a slightly different approach and technique. Is he in motion or standing still?, how tight is the crowd around him?, and so on. Each factor counts and on top of it all, the equation changes constantly depending on my read of the mark’s face. Pickpockets call this skill—reading their marks—grift sense.
A crowd gathered as Bob lifted one item after another from this man.
In the two days, I made several misses—as any cannon does. Yes, I had my hand in the purse or bag, but there was nothing significant to pull out. In one case, when I was about take an entire handbag from a woman sitting on a bench, I saw that she suddenly got uncomfortable with my presence. Another time a man’s wallet was too thick for me to remove smoothly. These are typical complications which all pickpockets experience.
A good cannon will seldom lift more than three or four pokes in a day due to the sheer tension involved. Some will target their marks carefully, knowing from the appearance of the mark that he or she is likely to have a generous interpretation of “pocket money,” and a high credit card limit. One wallet, when targeted like this, should translate to quite a few thousand dollars by maxing out credit cards. Identity theft is the next natural progression for a good pick. If the whiz mob is technically inclined, they garnered the PIN while the vic made a transaction at the ATM. Europe’s chip & pin cards make this harder to accomplish, but that’s another story.
We had a lot of fun in Munich and I was again able to test my slippery skills in real life scenarios. As a stage pickpocket, I find the level of tension much higher when stealing without the protection of the theater setting. Street thieves call it having heart; and that doesn’t mean having compassion for your vics. It’s the exact opposite: the ability to put your hand in a total stranger’s pocket and be emotionally unaffected by it—feeling cool under pressure. Having heart also means one must have lived at least for some time in the criminal world, and knows the consequences of being arrested and spending time in the box. Though I’ve never been arrested, I think I can still consider myself as having heart. Except, for me, it does mean having compassion for the victim.
Women wear dirndls: long or mini; racy or demure; traditional, sequined, or alt.
Called in to pickpocket goodies from the massive Munich Oktoberfest crowd, Bob and I, just back from Japan to do a show for Monsanto in Las Vegas, raced to catch the last two days of the bawdy Bavarian festival. (Tokyo, Vegas, Munich in five days. Thank goodness for business class.)
Bleary-eyed, we were surprised to find the RTL TV Extra crew at the airport, cameras rolling. They whisked us straight to the heart of the party for 8 million, pausing only to slip Bob into lederhosen. Most people there wore traditional costumes: men in lederhosen, women in dirndls.
Big big beers and Bavarian barf. Drinking starts 10am. Beers are a full liter. By noon, people are doubled over and hugging trees.
It was noon, and the revelers had been drinking since 10 a.m. Some stumbled along, supported by friends. Others sat on the ground, heads in hands. No wonder: beer is sold by the liter mug and the whole idea is to drink as much as possible. The gutters ran with pee and puke.
Make room for another beer: lederhosen: made for easy peeing.
Right away Bob and I noticed “suspects”—probably pickpockets, in our opinion—scanning the crowds. Time was short though; Bob was supposed to steal from sober partiers. No time for thiefhunting. We stood on a grassy slope among the sick and sleeping, the singing, the happy, the tired. A man lay sprawled face down at our feet, right arm extended clutching his cellphone like a torch, like a fallen statue.
“Let me have this one,” our producer said with a wink. He bent and slipped the phone from the man’s grip. Too easy. Unable to rouse the plastered guy, we finally stuffed the phone into his back pocket and considered it safer than it had been.
Bob and I surveyed the mob, looking for likely marks. We had a to-do list of items to steal; and we hoped for victims who’d be good for television. We didn’t want the type who’d punch Bob in the face if they caught on— granted, though, they’d be great for television.
The failed wrist-cam hinders Bob's movements and misses the steals no matter how it's mounted.
In preparation for this challenge, our special cameraman, Frank Jeroschinsky, built a fancy “wrist-cam,” a lipstick camera he strapped to Bob’s arm with a cord that ran up Bob’s sleeve and into a backpack, where the recording device was stashed. The device was meant to capture the steal as Bob’s hand entered a purse or pocket. We didn’t have the heart to tell Frank how many cameramen before him had rigged similar set-ups. Bob just ran through the tests and trials and Frank saw for himself the disappointing results.
Bob stole from this girl's father.
Interesting to watch the regimented Germans let loose. As we mingled, futilely trying to blend in, we saw heaps of humanity crumpled on the ground, and those attending to them. A policeman tried to rouse a man splayed on a sidewalk. A first aid team huddled around an unconscious body. Friends supported friends as best they could.
Roving red cross wheel the sick away on stretcher wagons with yellow vinyl tent covers for privacy, window in vinyl for light.
Before Oktoberfest was over, Munich police had arrested more than 80 pickpockets. They had come from many surrounding countries, as expected. A more inviting gathering for thieves cannot be imagined. Celebrants with traveling cash flooded in from all across Europe and beyond. Flocks of Russians had flown in. Grassy parking lots were lined with hundreds of buses from Italy, Czech Republic, Spain, and more.
Pissoir optional. I was told even women skip the loo queues and use a tree.
Expecting a flood of pickpockets from Romania, authorities had also imported a special team of Romanian police.
Poor guy lost his head. Simultaneaous puking & peeing.
What struck me among all the drunk and sick and out-of-control partiers was the overall peacefulness. In two long days I didn’t see a single fight, didn’t hear shouts, insults, or curses.
Jan, the sweet cameraman always in the right place, uh—'lost' his wallet during the shoot.Beer-garden veg-free dinner: crispy roast duck, pretzel w/ cheese & onions, beer too heavy for me to lift one-handed. No, couldn\'t finish it. Sample prices: beer, €8. hotel wifi, €17. Half a duck with nothing else, €25.Fish-on-a-stick. Steckerlfisch grill over fires in long rows.Bob Arno in lederhosen, pickpocketed the Oktoberfest crowd for German RTL TV 'Extra.'
RTL Television’s Extra segment was broadcast the evening of October 5 to a 27% audience share. 17% has been their maximum, so it’s considered a huge success. Although it’s not officially online, we expect to get a copy of the piece shortly. Perhaps we’ll upload it. If so, I’ll link it here.
David Avadon, a friend and associate of mine, died of a heart attack in a gym in Los Angeles. David was recently billed as The King of Pickpockets. Although he wasn’t a close friend, we had many long and interesting chats over the years. Our intense passion for the research of stage pickpocketing was equal both in seriousness and determination to find hidden truth and facts. But we were competitors and, as such, we were cautious of sharing information.
I first met David in 1990 when he used to visit the Bally/MGM showroom in Las Vegas where I was the featured attraction for three years in the Jubilee! show. He would always come with Ricki Dunn, another pickpocket entertainer (and good friend of mine). Ricki and David were close friends for over twenty years, and Ricki was later profiled extensively in David’s book Cutting Up Touches, probably the best book ever written about stage pickpocketing and the artists practicing the art.
For his book, David managed to track down obscure facts about the jealously and infighting among stage performers. The anecdotes come fast and furious; the guarded secrecy surrounding techniques were a dominant factor in all relationships among vaudeville pickpocket entertainers then, and pickpockets now.
I never saw David perform in a live show so I cannot comment on his skill, but I know that he was a warm and outgoing performer with a tremendous knowledge about this very narrow and secretive performance art. I’m quite certain that his library on the art is far more extensive than any other private collection anywhere today. David was not a criminologist, but a collector of performance memorabilia on pickpocketing. It will be interesting to see where this library eventually goes—hopefully to an institution where aspiring performers can have access.
The art of pickpocketing is a tightly protected art form and it’s darn impossible to get the real facts or true techniques revealed. Basically because stage pickpocketing (versus stealing in the streets) depends on the individual persona of the performer and how he adapts his mannerism and personality to the extraction techniques. It is a marriage of the two that fosters a dynamic pickpocket show. Other related artists, like magicians and jugglers, might succeed without projecting a personality, on sheer finger technique and practiced skill. Pickpocketing incorporates psychology, reading the body language of a victim, creating good diversion techniques, and of course timing during extraction. It also requires a strong sense of comedy, and to some extent quick verbal skills and improvisation. Without those combined ingredients the show will fall flat.
This is why there are few pickpocket entertainers today (or ever). It’s extremely hard to learn and turn into effective entertainment. David’s book mentions many of the deceased pickpocket entertainers of the past three or four decades. Few had much impact outside the country or city where they worked. The successful ones could be counted on one hand: Borra, Dominique, Vic Perry, and Giovanni.
Today, major production houses and television talent shows like Cirque du Soleil and America’s Got Talent attempt to incorporate the art of pickpocketing—without much success. Manufacturing this talent, from a producer’s point of view, is not easy. Cirque du Soleil tried by gathering all the known video tapes of successful performers and invited aspiring pickpocket talent to come to their workshop in Montreal to screen the routines of the masters with the intent of creating a pickpocket segment in their show. And when was the last time you saw a good pickpocket segment on a talent show, like America’s Got Talent? And yet, every season they send out requests to agents and managers for pickpocket entertainers. The art form has few practitioners.
David Avadon helped keep the spirit of this murky art form alive. His book and his research will live on. Cutting Up Touches was small in size but large in content. Goodbye, David. Let’s hope you meet your old pickpocket pals and mentors in the next waystation.
Other fine pickpocket performers:
Borra, Â April 26, 1921—October 11, 1998
Ricki Dunn, April 2, 1929—January 29, 1999
Chappy Brazil, Nov. 26, 1964—June 27, 1998
